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Update 10:54am ET: This deal has expired. If you're looking for a great pair of earbuds without breaking the bank for yourself (or as a gift), now's a good time to shop. Apple's third-generation AirPods are currently down to $140 from $169 a 17 percent discount. This deal brings the AirPods back down to their record-low price. Apple launched its third-generation AirPods in 2021, and they were a big improvement on their predecessor. We gave the model an 88 in our review thanks to features like a more comfortable design and much better audio quality. The new look is more contoured and a third of the second-generation model's length. The new shape also helps improve audio quality as they're better at directing sound into your ear. The third-gen AirPods and their charging case also offer IPX4 sweat and water resistance. Speaking of charging, this model has a longer battery life, lasting for six hours at a time and 30 hours in total with the case. Plus, they have always on-Siri and more accurately determine when they're in your ears. Follow @EngadgetDeals on Twitter and subscribe to the Engadget Deals newsletter for the latest tech deals and buying advice.This article originally appeared on Engadget at https://www.engadget.com/apples-third-gen-airpods-are-back-on-sale-for-140-132303235.html?src=rss
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Watch along today as NASA's Boeing Starliner Crew Flight Test finally most likely blasts off to the International Space Station (ISS). NASA should start streaming its coverage at 6:30PM ET on its YouTube channel, with the official launch set for 10:34PM ET. The spacecraft will carry two astronauts, Suni Williams and Butch Wilmore. We say "most likely" because the road to this day has not been a smooth one. It was a decade ago that NASA first chose Boeing and Space X to construct spacecraft that would fly from the United States to the ISS. Boeing received a $4.2 billion contract, while NASA gave SpaceX $2.6 billion. Yet, the latter had its first successful crewed flight in 2020 and has replicated it about a dozen times since. Boeing's Starliner failed to reach orbit during its first uncrewed orbital test flight in 2019 due to too much fuel burning. A follow-up flight was scheduled for August 2021 but was scrapped due to a valve issue, with Boeing finally reaching the ISS in spring 2022 with an uncrewed vessel. Two plans for crewed flights came and went, amongst faults in aspects such as the parachute system. Last August, Boeing announced it should have these issues straightened out by March 2024. It's now two months later than that initial goal and Boeing, Williams and Wilmore seem prepared for take off. "We are ready, the spacecraft's ready and the teams are ready," Wilmore told the press. NASA associate administrator Jim Free added: "The first crewed flight of a new spacecraft is an absolutely critical milestone. The lives of our crewmembers Suni Williams and Butch Wilmore are at stake we don't take that lightly at all."This article originally appeared on Engadget at https://www.engadget.com/how-to-watch-nasas-first-boeing-starliner-crewed-flight-launch-today-130046785.html?src=rss
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Doctor Who is famous for constantly reinventing itself while remaining more or less exactly the same. The show has had a rough few years, which has led to some dramatic changes behind the scenes. Russell T. Davies, who was behind Doctor Whos 2005 revival, has stepped in to rescue the show. What was historically an in-house BBC production is now being handled by a Sony-owned production company. And Disney has bankrolled it, with this new revival billed outside the UK as a Disney+ Original. The dramatic behind-the-scenes changes prompted some fundamental questions about how Doctor Who would thrive in this new world. Would Davies be able to bring the show back from the brink a second time? And would the show appeal to Zoomers in the same way it found a devoted audience of Millennials? And would Doctor Who survive intact under Disney, which is used to obsessive levels of control? Its that last question I can already answer, having watched the first two episodes of this new eight-episode season: Doctor Who hasnt been watered down to suit its new paymasters or the broad international audience who will see this show pop up every Friday. In fact, Who 24 has doubled down on being weird, avant-garde, difficult to handle and harder to pigeonhole. Its a little punk and a little rough around the edges which makes it all the more interesting compared to, say, some other Disney+ series I could choose to mention. Im not allowed to share much of what I saw, but episode one, Space Babies, features the Doctor (Ncuti Gatwa) and Ruby (Millie Gibson) visiting a space station crewed by babies. As you can see in the trailer, theres liberal use of unconvincing and creepy CGI mouths for said rugrats. The Devils Chord, meanwhile, sees the TARDIS head to Abbey Road to meet the Beatles at the dawn of their careers. If this is your first experience of Doctor Who, please start with the Christmas Day special The Church on Ruby Road. These first three episodes are the jumping-on point, and form Davies standard Present, Future and Past trilogy he uses to open his runs. All three are sold as fun romps, but there's a spikiness that stems from Davies underlying cynicism. As much as he may paint in primary colors, his worldview is a lot darker than some of his colleagues. Davies is a strong advocate for better queer representation in film and TV and is arguably one of the most powerful gay men in media. Many of his shows, including Queer as Folk, Cucumber, A Very English Scandal and Its a Sin center on queer narratives. Davies has made it clear he wants to foreground queer experiences in this season of Doctor Who and does so, proudly. He told Variety that the Doctor chimes with queer energy and that hes not a neutered Doctor. Some context: In 2021, Davies called out Disney+ for its lack of real representation in some of its other shows. During a virtual panel as reported by Pink News, he pointed at Lokis single reference to the lead characters fluid sexuality as a warning sign. Loki makes one reference to being bisexual once and everyones like oh my god, its like a pansexual show, he said. Adding the single spoken reference was a a ridiculous, craven, feeble gesture towards the vital politics and the stories that should be told. Davies returned to the job after the failure of his immediate predecessor, Chris Chibnall, who will likely go down in infamy. Chibnall inherited a successful show and opted to broaden its horizons by hiring a far more diverse crew both in front of and behind the camera. That included writers like Malorie Blackman and Vinay Patel and casting two women, Jodie Whittaker and Jo Martin, to play the Doctor. Chibnall also refused to bow down to culture war pressure when tedious people started screaming that the show had gone woke. But for all of the goodwill the show had and which Chibnalls early decisions helped accrue the showrunner quickly started to burn his own legacy as he built it. The quality of his episodes were never great and he wrote episodes that were incoherent, or said some pretty awful things by implication. He then started using the show as a vehicle for his own fan theories, re-litigating niche matters of continuity so nit-picky even I rolled my eyes so hard my skull caved in. And then he created a secret origin story for the Doctor that essentially overwrote much of the previous 60 years worth of character development. He turned the Doctor into some sort of Space Jesus and then set about destroying a significant amount of the series fictional universe. Audiences were not thrilled: 8.2 million people watched Chibnalls first regular-season episode but, by the end of his tenure, the figure had tumbled to 3.47 million. It would have been smart to ditch all of this and declare a fresh start but Davies took a different approach. He has opted to Yes-And Chibnalls hamfistedness, incorporating the catastrophic events of the last season as a new backdrop for the series. The universe is now "knackered," which has led to the shows fictional reality warping in new, weirder and more whimsical directions. Whereas before Doctor Who sat at the crossroads of science and fantasy, it has now become a soft fantasy show. Villains like the Toymaker and the Goblin King push the Doctor into a more mythic register than ever before. BBC / Disney+ CGI baby mouths aside, Doctor Whos slick production values dont work unless they're tied to great writing and great acting. Ncuti Gatwa had already become a superstar thanks to his work on Sex Education and Barbie and is a magnetic presence on screen. I struggle to take your eyes off him, but hes clearly willing to cede space and time to his co-stars. Millie Gibson has the harder role as Ruby Sunday, having to keep her character grounded and believable in this fantastic world. The role of the Doctors traveling companion has minted many British A-listers since the shows return and Gibson is clearly destined for big things. If theres one thing that comes across too much in these opening episodes, its that Doctor Who isnt the same show from one week to the next. It revls in being chaotic, freewheeling through genres and styles with the freedom its lead character so relishes. So, if this is your first time on board the TARDIS, welcome, and strap yourselves in for some silly and serious fun. Oh, and they fixed the title sequence. The first two episodes of Doctor Who arrive globally on Disney+ on Friday, May 10 at 7:00pm ET and in the UK on BBC iPlayer at midnight on Saturday, May 11. One episode will arrive at the same time for the following six weeks.This article originally appeared on Engadget at https://www.engadget.com/doctor-who-is-back-louder-and-more-chaotic-than-before-130041838.html?src=rss
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