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Cleveland Guardians pitchers Emmanuel Clase and Luis Ortiz have been indicted on charges they took bribes from sports bettors to throw certain types of pitches, including tossing balls in the dirt instead of strikes, to ensure successful bets.According to the indictment unsealed Sunday in federal court in Brooklyn, the highly paid hurlers took several thousand dollars in payoffs to help two unnamed gamblers from their native Dominican Republic win at least $460,000 on in-game prop bets on the speed and outcome of certain pitches.Clase, the Guardians’ former closer, and Ortiz, a starter, have been on non-disciplinary paid leave since July, when MLB started investigating what it said was unusually high in-game betting activity when they pitched. Some of the games in question were in April, May and June.Ortiz, 26, was arrested Sunday by the FBI at Boston Logan International Airport. He is expected to appear in federal court in Boston on Monday. Clase, 27, was not in custody, officials said.Ortiz and Clase “betrayed America’s pastime,” U.S. Attorney Joseph Nocella Jr. said. “Integrity, honesty and fair play are part of the DNA of professional sports. When corruption infiltrates the sport, it brings disgrace not only to the participants but damages the public trust in an institution that is vital and dear to all of us.”Ortiz’s lawyer, Chris Georgalis, said in a statement that his client was innocent and “has never, and would never, improperly influence a game not for anyone and not for anything.”Georgalis said Ortiz’s defense team had previously documented for prosecutors that the payments and money transfers between him and individuals in the Dominican Republic were for lawful activities.“There is no credible evidence Luis knowingly did anything other than try to win games, with every pitch and in every inning. Luis looks forward to fighting these charges in court,” Georgalis said.A lawyer for Clase, Michael J. Ferrara, said his client “has devoted his life to baseball and doing everything in his power to help his team win. Emmanuel is innocent of all charges and looks forward to clearing his name in court.”The Major League Baseball Players Association had no comment. Unusual betting activity prompted investigation MLB said it contacted federal law enforcement when it began investigating unusual betting activity and has fully cooperated with authorities. “We are aware of the indictment and today’s arrest, and our investigation is ongoing,” a league statement said.In a statement, the Guardians said: “We are aware of the recent law enforcement action. We will continue to fully cooperate with both law enforcement and Major League Baseball as their investigations continue.”Clase and Ortiz are both charged with wire fraud conspiracy, honest services wire fraud conspiracy, money laundering conspiracy and conspiracy to influence sporting contests by bribery. The top charges carry a potential punishment of up to 20 years in prison.In one example cited in the indictment, Clase allegedly invited a bettor to a game against the Boston Red Sox in April and spoke with him by phone just before taking the mound. Four minutes later, the indictment said, the bettor and his associates won $11,000 on a wager that Clase would toss a certain pitch slower than 97.95 mph (157.63 kph).In May, the indictment said, Clase agreed to throw a ball at a certain point in a game against the Los Angeles Dodgers, but the batter swung, resulting in a strike, costing the bettors $4,000 in wagers. After the game, which the Guardians won, Clase sent text messages to one of the bettors with images of a man hanging himself with toilet paper and a sad puppy dog face, the indictment said.Clase, a three-time All-Star and two-time American League Reliever of the Year, had a $4.5 million salary in 2025, the fourth season of a $20 million, five-year contract. The three-time AL save leader began providing the bettors with information about his pitches in 2023 but didn’t ask for payoffs until this year, prosecutors said.The indictment cited specific pitches Clase allegedly rigged all of them first pitches when he entered to start an inning: a 98.5 mph (158.5 kph) cutter low and inside to the New York Mets’ Starling Marte on May 19, 2023; an 89.4 mph (143.8 kph) slider to Minnesota’s Ryan Jeffers that bounced well short of home plate on June 3, 2023; an 89.4 mph (143.8 kph) slider to Kansas City’s Bobby Witt Jr. that bounced on April 12; a 99.1 mph (159.5 kph) cutter in the dirt to Philadelphia’s Max Kepler on May 11; a bounced 89.1 mph (143.4) slider to Milwaukee’s Jake Bauers on May 13; and a bounced 87.5 mph (140.8 kph) slider to Cincinnati’s Santiago Espinal on May 17.Prosecutors said Ortiz, who had a $782,600 salary this year, got in on the scheme in June and is accused of rigging pitches in games against the Seattle Mariners and the St. Louis Cardinals.Ortiz was cited for bouncing a first-pitch 86.7 mph (139.5 kph) slider to Seattle’s Randy Arozarena starting the second inning on June 15 and bouncing a first-pitch 86.7 mph (139.5 kph) slider to St. Louis’ Pedro Pagés that went to the backstop opening the third inning on June 27. Dozens of pro athletes have been charged in gambling sweeps The charges are the latest bombshell developments in a federal crackdown on betting in professional sports.Last month, more than 30 people, including prominent basketball figures such as Portland Trail Blazers head coach and Basketball Hall of Famer Chauncey Billups and Miami Heat guard Terry Rozier, were arrested in a gambling sweep that rocked the NBA.Sports betting scandals have long been a concern, but a May 2018 U.S. Supreme Court ruling led to a wave of gambling incidents involving athletes and officials. The ruling struck down a federal ban on sports betting in most states and opened the doors for online sportsbooks to take a prominent space in the sports ecosystem.Major League Baseball suspended five players in June 2024, including a lifetime ban for San Diego infielder Tucupita Marcano for allegedly placing 387 baseball bets with a legal sportsbook totaling more than $150,000. Associated Press reporters Eric Tucker in Washington and Ron Blum in New York contributed to this report. Michael R. Sisak, Associated Press
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Bitmoji is going back to 2D. Snapchat announced Monday that a new Bitmoji style inspired by the classic 2D look will be an option for Snapchat+ subscribers in the coming days. The revamped style for the app’s popular avatars is called Comic Bitmoji. Bitmoji’s 3D redesign in 2023 allowed Snapchat to launch new body types and deliver faster on top fashion requests, from low-rise jeans to saris, says Swetha Dhamodharan, a senior product director at Snapchat. But there’s been growing calls to bring back the old 2D comic style. One online petition to bring back the style has racked up nearly 100,000 signatures. “I think that there’s just a little bit of nostalgia, and the avatar is cute,” Dhamodharan tells Fast Company. “We’ve done a lot of work to make it cuter over time.” [Image: Snap Inc] Also key are the wide variability of customizable traits, from hair styles to clothes, which make a friend’s or family member’s Bitmoji, though cartoonish and exaggerated, so easy to clock. That same volume of variability, though, also makes the redesign projects from 2D to 3D and back again technically complex. The design process included iteration across a range of body shapes and sizes and fashion items. “The scale of our traits is enormous,” Dhamodharan says. Bitmoji are central to the Snapchat experience and show up across the app in different ways, like as the avatar of the person you’re talking to instead of just initials, or on the app’s Snap Map, which reached 400 million users this year. That means animations had to look right as both a profile picture and full body. The team made tweaks to get the proportions, shading, and the thickness of outlines just right. The option for a classic-inspired 2D Bitmoji style comes one week after Snapchat’s parent company Snap announced a partnership with Perplexity AI and said its revenue was up 10% year-over-year. “Bitmoji is so important to Snapchat and what makes it so different,” Dhamodharan says. “It’s not this avatar that you create once and then you kind of forget about. It’s truly how you see yourself, it’s how you see your friends and family. And I think it just makes communicating on Snapchat feel complete different anymore connected than other places.”
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Disney has been in the cruise business for 27 years now, but over the past few years, the company has doubled down in an unprecedented manner. On November 20, the entertainment giant will see the inaugural sailing of the Disney Destiny, a 144,000 gross ton ship capable of carrying 4,000 passengers that is the latest in a growing fleet. It’s the fourth addition in the past four years. And five more ships are coming by 2031, which will bring the total to 13. An expansion like that isn’t cheap, but Disney is making a lot of sizable wagers these days. The new ships are part of a $60 billion capital investment between now and 2033, which includes a variety of planned updates and changes at its park, updating legacy attractions and unveiling what it called the largest ever expansion plans for the Magic Kingdom. Josh D’Amaro, chairman of Disney Parks, Experiences and Products, is overseeing the expansion of it alland when it comes to cruises, he’s particularly bullish. “We believe in what we’re doing in this space,” he tells Fast Company. “Our fans believe in what we’re doing in this space and we’re being incredibly ambitious.” There’s good reason for that optimism. AAA projects that 21.7 million Americans will hit the high seas next year, setting a record. That’s the fourth straight year of record-breaking cruise passenger volume. And according to Bank of America credit and debit card data from May 2024, spending on cruises was up 12% year-over-year. Disney cruises have been especially popular. The existing fleet, including Destiny, is already nearly 50% booked for 2026 with newer ships showing higher booking percentages. Prices for a journey on the Destiny run from $1,994 to just shy of $10,000. Disney does not break out financial metrics for its cruise ships, but those are part of the companys Disney Experiences division, which saw operating income of $2.5 billion in the companys fiscal third quarter, a $294 million increase over the year prior. That figure included a roughly $30 million impact from pre-opening expenses at Disney Cruise Line, the company said. Cruises are more than just a contributor to the company’s bottom line, says D’Amaro. They’re a chance to offer Disney experiences beyond the theme parks, including some areas where those parks may be difficult for families to get to. “These ships are tremendous ambassadors for our brand,” he says. “We have an opportunity to take these experiences anywhere we want.” After the christening of the 6,700-passenger Adventure in Singapore next year, Disney will introduce Disney cruise vacations to Japan in 2029, the result of an agreement with Oriental Land Co., Ltd. And D’Amaro says the company is not tying its ships to a specific ports forever. In the years to come, they could rotate to new ports of call, giving passengers a fresh experience without a new capital outlay. “We can move them anywhere in the world we like and you’re seeing us do that with the Adventure,” says D’Amaro. “That will be an opportunity to bring the Disney brand to a brand-new market and bring Disney to fans that may not have had an opportunity to experience one of our parks.” The bet is: If someone experiences the Disney bubble on a cruise, it will whet their appetite to visit one of the parks. Analysts like that. In June, Jefferies upgraded Disney from a hold to a buy, citing, in part, the positive performance in the cruise business. A different kind of storytelling Entertaining 4,000 guests on a cruise is a bit different than hosting 40,000 at a theme park. While some of the experiences are roughly the same (character meet and greets, pin trading), a cruise ship can’t (and arguably shouldn’t) support all the rides of a theme park. It’s a slower pace. On the Destiny, that means Imagineers focus on things like effects and details in gathering spots, like the Pirates of the Caribbean-themed Cast & Cannon bar or The Haunted Mansion Parlor. Younger passengers have dedicated spaces that incorporate the Disney, Pixar, Marvel and Star Wars universes. And teens have two areas to hang out with people their age. The onboard shows, meanwhile, are Broadway-caliber and feature Imagineer-influenced effects. And familiar stories, like The Lion King, can be rethought as part of a dining experience. Part of the secret to storytelling on a smaller basis, says D’Amaro lays in how the company steers guests through their stay onboard. “[It gives] us a great opportunity to fully choreograph a show,” he says. “So if you think about a Disney cruise experience, you’re moving in a sequence from dining hall to dining hall. You are able to take in a show on specific nights. We’re basically trying to create a three-, four-, five-, or seven-day experience that we can completely choreograph and make sure you’re seeing everything on the ship, make sure you’re getting exposed to all the stories we have.” Another difference between cruises and theme parks: Families also get to know each other on cruises, instead of bobbing and weaving around each other in a mad dash to get to the next attraction. And guests interact with the same cast members, forming a relationship. The rides that are offered are generally water attractions, such as Aqua Mouse on the Destiny, Wish, and Treasure ships. And each ship focuses on a different theme (the Wish centers around enchantment, Treasure tells a story of adventure and Destiny tackles heroes versus villains). That, says D’Amaro, has made the cruise experiences among the most highly rated in the company. Disney has plenty of intellectual properties it hasn’t tapped for Experiences yet. Villains are getting their own land in the Magic Kingdomand Zootopia and Encanto will be featured heavily in a new area in Disney’s Animal Kingdom. But the Disney catalog is deep. That gives the company plenty of opportunities to expand its experiences at sea, as well. (The focus on 1997’s Hercules film on the Destiny is a shining example.) D’Amaro says the company plans to continue exploring new destinations and push itself from a story-telling perspective. Disney’s cruise efforts may still be tiny compared to industry giants like Carnival and Royal Caribbean, but its ambitions are sizable. “We’re still relatively small in this space,” says D’Amaro. “I think there’s a tremendous opportunity for the Walt Disney Company here.”
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