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When the Los Angeles wildfires swept through the city earlier this year, experts flocked to the internet to dissect the anatomy of a fire-resistant building. Many of them ended up describing bunker-like architecture with boxy buildings, sparse landscape, and lots of concrete. A new building in Malibu offers a more nuanced approach. Malibu High School, which opened in August, is located in an area that Cal Fire (the California Department of Forestry and Fire Protection) recently designated as a very high fire hazard severity zone. This means that the school, which has replaced a nondescript building from the 1950s, had to comply with stringent fire safety regulations. [Photo: Here and Now Agency] The new school is distributed across two connected buildings. It was constructed entirely of noncombustible materials like concrete shear walls and floors, steel columns and beams, and fire-rated glass. It is surrounded by a newly built fire road to allow easy firetruck access, and drought-resistant landscaping. Still, it looks less like a fortified concrete bunker, and more like the kind of airy, low-lying buildings you might find elsewhere in Malibu. “The messages the building sends about your safety is much more like a community center,” says Nathan Bishop, lead architect and principal at local firm Koning Eizenberg Architecture. “It’s about making it feel like a social place to hang out and just be.” [Photo: Here and Now Agency] A balanced approach to fire-resistant architecture Malibu High School, part of the Santa Monica-Malibu Unified School District, is nestled between the Pacific Ocean and the Santa Monica Mountains. It is located near a ring of coastal shrubs that is notoriously flammable but is also protected by the California Coastal Act as Environmentally Sensitive Habitat Area (ESHA.) In 2018, the area was hit by the Woolsey Fire, which destroyed over 1,600 structures, and burned nearly 97,000 acres in Ventura and Los Angeles counties. The former high school building, which stood on the same site, narrowly survived, but according to Bishop, the “shared memory” of Woolsey was present in everyone’s mind. “There are still teachers who haven’t replaced their houses because they burned down,” he said. It’s no surprise, then, that fire resiliency was part of the architects’ mandate from the very beginning, when they won an RFP to redesign the school in 2019. The challenge was ensuring the school didn’t look like a bunker. [Photo: Here and Now Agency] To lighten the visible footprint of the building, the architects positioned solar panels over a canopy so they could cast shadows on the building’s glazed facade. This helped reduce solar gain while allowing the building to have more glass to balance the concrete. The panels, which remain quite visible, help the building achieve its net-zero goals, but they also help communicate the value of sustainability to students. The team used textured concrete that makes the building feel like it is part of the hillside, and copper panels that add some color and texture. They also implemented a dedicated air filtration system for wildfire events. “[The school] is fortified and strong, but not in a defensive way,” says Bishop, noting the school can now serve as a community wildfire shelter. The open design ensured the building feels like it belongs on the rugged hillside of Malibu. The surrounding drought-resistant landscape, by San Diego-based Spurlock Landscape Architects, further anchors the school with a coastal landscape that doubles as a fuel modification zone. This is meant to reduce the risk of wildfire by thinning or replacing combustible vegetation. The landscape architects used California-native plants like aloe vera and agave interspersed with locally sourced rock mulch. They laid out the plants so they would grow from low succulents closer to the building to larger canopies on the outer perimeter. Since many buildings catch fire from what is closest to them, the areas nearest to the building are mostly hardscape. (The January 2025 wildfires didn’t reach as far north as the high school, which was therefore spared.) [Photo: Here and Now Agency] Rethinking the American high school By the time Koning Eizenberg Architecture got involved in 2020, Malibu High School had been seeing enrollment issues for years. (The school enrolled about 440 students in 2021, compared to nearly 1,000 in 2017.) To compete with nearby private schools, where enrollment issues haven’t been as stark, the Santa Monica-Malibu Unified School District wanted to rethink not just the building but also the way high schoolers studied inside it. Instead of organizing the school by academic departments, the high school follows a more distributed model where “everything is everywhere,” as Bishop puts it. Science labs abut art studios and teacher rooms are scattered around the campus instead of concentrated in a single building. The distributed model allowed the architects to abolish the archetypal silos that have become high school movie tropesscience geeks hang out here; jocks hang out thereand foster more encounters between different disciplines. [Photo: Here and Now Agency] “There is something about rethinking the story of the American high school, and the social fabric of the American high school,” says Bishop. Before they moved into the new building, high schoolers shared the old building with local middle schoolers, where they studied in nondescript classrooms. Now, each classroom is adjacent to an outdoor space, creating a “fuzzy edge that lets the life of the building spill out,” says Bishop. Students in marine biology class go down to the beach to collect samples. Those in pottery class bring their wheels into the courtyard. Meanwhile, the preserved ESHA acts as a learning lab, where students can learn about ecology. Instead of cutting off the building from its surroundings, the architects carefully integrated it within the landscape, proof that students can learn from nature instead of turning their back on it.
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E-Commerce
“Parasocial” is the Cambridge Dictionary’s Word of the Year. That feeling that you and Harry Styles would instantly become friends if you ever bumped into each other? Yes, thats parasocial. The term dates back to 1956, coined by sociologists Donald Horton and Richard Wohl to describe how TV watchers formed para-social relationships with those on their screen. The word has taken on even greater meaning in the age of social media, where we have unparalleled access to the lives of influencers, online personalities, and celebrities via phones. Take Taylor Swift and Travis Kelces engagement. The news triggered mass hysteria online, with many displaying genuine raw emotion for a couple theyve never even met. Or British singer Lily Allen, whose latest album West End Girl details a breakup and sparked a parasocial interest in her love life, according to the Cambridge Dictionary. Its not just celebrities. This year, the dictionary noted a surge in those looking up the word after the Youtube star IShowSpeed blocked an obsessive fan, identified as his “number 1 parasocial. A number of popular female streamers have spoken publicly about dealing with stalking, some resorting to hiring security while navigating online fame. Oftentimes these parasocial relationships are built unintentionally. After spending so many hours consuming content from influencers and content creators, its only natural that fans feel a sense of kinship and emotional attachment, even if its one-sided. So strong are some of these parasocial ties, a 2024 study revealed that parasocial relationships with YouTubers more effectively filled emotional needs than relationships with “real” acquaintances or colleagues. However, it can bleed into something darker. Add artificial intelligence into the mix and things get even more complex. Many confide in AI tools like ChatGPT as they would friends or romantic partners. By September of 2025, the Cambridge Dictionary definition of parasocial was updated to include the possibility of a relationship with an artificial intelligence. Colin McIntosh, Cambridge Dictionarys chief editor, said the word captures the zeitgeist of 2025, as the publics fascination with celebrities and their lifestyles continues to reach new heights. He noted in a statement: Its interesting from a language point of view because it has made the transition from an academic term to one used by ordinary people in their social media posts. The other words shortlisted this year were pseudonymization, which spiked in interest this year in relation to discussions around protecting personal data. Also memeify as it relates to internet culture. The dictionary added 6,000 new words this year, including internet neologisms like delulu, skibidi and tradwife. Looking ahead, words to watch include glazing, vibey, bias, breathwork, and doomspending.”
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E-Commerce
In 2021, Prada created Candy, an influencer designed to sell perfume. With an appearance rendered using then-state-of-the-art tools, Candys not-quite-real vibe felt straight out of the Silicon (Uncanny) Valley. It was peppy, but cartoonlike, and it was hard to see how Candy could sell perfume it could never smell. Since then, technologies have greatly improved. A brand can now render any persona with a product, create movies with that model persona animated in a realistic way, and show them demonstrating products. By creating their own influencers, brands can keep their advertising budgets down and generate profits. Its possible that the virtual influencers will come for even more human-influencer jobs as the financial opportunities continue to grow. Long before the internet, the idea of influencing existed as sales. People have sold things to others since currency began, and while it takes labor, time, and effort to persuade others to buy what one is selling, different types of techniques and tactics emerged over the years to varying degrees of success. The rise of social media channels such as Facebook, X, Pinterest, and especially Instagram, enabled broader reach for those unable to afford network advertising. As a result of this shift, brands began to outsource marketing to people using these models to share and demonstrate their products and services through brand partnerships. In a short time, the influencer industry has exploded in growth: The global influencer marketing platform market size is set to grow from around $23.6 billion this year to roughly $70.9 billion by 2032, according to Fortune Business Insights. Influencing has become an aspirational profession for one in three people ages 18 to 30and for those who succeed, a substantial income awaits.Influencers are successful due to their relatability, charm, resonance, and the ways they represent a lifestyle or objects that others wish to emulate, replicate, or possess. Martha Stewart, an early influencer, started with books before harnessing television and print media to convince thousands that they could also realize the fantasy that she portrayed. Her partnerships with Target, Macys, QVC, and Kohler, brought her endorsements of products, tools, and decorations, into homes, creating a multichannel, multisensory impressionand earned her a $400 million fortune. Celebrities like Paris Hilton, the Kardashians, Gwyneth Paltrow, and Brooke Shields may not invent what they sell, but they successfully promote products to their fans, building upon the parasocial (one-sided) relationships that fans project onto them. Influencing has gotten increasingly personal over time, with Influencers extending their reach to give us peeks into their homes and lives. But influencers can also be regular people with the attributes and willingness to invite their followers into their lives. Influencers with no celebrity status, but the ability to be persuasive salespeople for brands, are plentiful. Virtual influencers already exist with varying degrees of success and popularity, ranging from animated characters to realistically modeled personas. With the kind of money that is up for grabs, some businesses are creating AI personas or are considering applying these technologies to replace human influencers to maximize profits. Or will they? A sense of agency is what defines successful human influencers. We dont know what they are going to do, or how they are going to do itand that novelty is appealing. Part of what attracts us to influencers are their stories, their lived experiences, and their families. These, in turn, create a brand message that attracts endorsements and piques our interest. Without a story and background, an influencer’s sponsored post is just an ad similar to any other. There is, of course, a price to being an influencer. Megs Mahoney Dusil is the co-owner of the Purse Forum, a premier destination for handbag, jewelry, and brand communities. In The Price of Influence: When Your Life Becomes Your Brand, Dunsil reflects on 20 years of being influential, observing that for her, kids and tragedy were the highest performing topics for platform traffic. She describes the performative aspect of being an influencer as emotional labor in disguise, a tightrope of constant negotiation between the person you are and the persona you project. Good or bad, Dusils realization may pave the way for humans and AI to form influencer partnerships, where their demonstrations and emotional connections are combined with software tools and renderings to provide a quasi-real experience. Human influencers could keep their profits (and their privacy), by using software like Synthesia, Vidyard, Rephrase AI, Adobe Substance 3D, and others to generate facsimiles of themselves, without having to reveal all. They could also benefit from the cost savings of realistic software tools, too, saving money and time on travel by creating the environment they present in a home studio. Time will tell if virtual influencers will make a difference as to how we are persuaded. We already see influencers through mediated channels, so it wont be that different for us to have a window into the fantasy of a digitally realized influencer hearth, rather than their actual home. But will we be comfortable buying products sold to us by beings that arent real? We might. We already have been acclimated to fantasy advertising campaigns. This would just circle us back to celebrity territory where the parasocial relationships we have with the personas selling us things, are those one-sided ones that we project onto them, and are not real. As with most jobs lately, its likely that AI will come for influencers, but with some savvy vibe-coding, influencers may be able to retain their brand partnerships, privacy, and income.
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E-Commerce
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