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Charli XCX is making a trip to the Sundance Film Festival in January. The pop singer-songwriter appears in three films premiering at the 2026 festival, including a mockumentary that she produced and stars in. Programmers on Wednesday unveiled a lineup of 90 feature films set for the festivals last hurrah in Park City, Utah. The slate includes documentaries on basketball great Brittney Griner, Nelson Mandela, Salman Rushdie, Courtney Love, and Billie Jean King. There are starry features with the likes of Natalie Portman, Jenna Ortega, Seth Rogen, Channing Tatum, Danielle Brooks, Olivia Colman, DaVine Joy Randolph, Alexander Skarsgrd, and Ethan Hawke. Olivia Wilde directs her first feature since Dont Worry Darling, in The Invite. Judd Apatow chronicles comedian Maria Bamfords mental health journey. And Gregg Araki will be back in Park City with a restoration of his 2004 coming-of-age drama Mysterious Skin and a new film as well. Its a broad, eclectic and bold program, Sundance public programming director Eugene Hernandez told The Associated Press. He said the lineup for the festival’s final year in Park City really honors that well with this mixture of new, exciting voices paired with some really, really great familiar faces from Sundances past that I think will create a great alchemy for this really unique edition in Utah. Ever a festival of discovery, of the 90 features culled from 4,255 submissions, 40% are from first-time directors. The programmers laugh when they hear people say things like thats a Sundance movie, as if its one, easily categorizable thing. I look at the films in this program and say, You tell me what a Sundance film is because theyre so different, said programmer John Nein. Three Charli XCX movies Charli XCX plays a rising pop star prepping for her first arena tour in the mockumentary The Moment, which Hernandez said is like her version of This is Spinal Tap. She also appears in Arakis I Want Your Sex, in which Cooper Hoffman plays an intern who gets wrapped up in the world of an artist and provocateur (Wilde). And shes among the ensemble of The Gallerist. Theres a sense of humor that she has about herself and her work, but also a creativity and a star quality that is apparent. I mean, she is magnetic on the screen, Hernandez said. Its great to have someone who represents sort of a next generation of creativity embracing the world that we inhabit. Some great comedies This years slate includes more than a few exciting comedies in unexpected places. Cathy Yan directed and co-wrote The Gallerist, a satirical look at the art world and attempting to sell a corpse at Art Basel Miami, with a large ensemble including Portman, Ortega, Sterling K. Brown and Zach Galifianakis. David Wain also has Gail Daughtry and the Celebrity Sex Pass about a woman out to even the score after her fiance uses the free pass, starring Zoey Deutch and Jon Hamm. Programmer Kim Yutani said she thinks Wicker, about a woman who asks a basket maker to weave her a husband, starring Colman and Skarsgrd, will be a big crowd pleaser. Other standouts are Jay Duplasss grief-themed See You When I See You, with Cooper Raiff and David Duchovny, Ha-Chan, Shake Your Booty! set inside Tokyos ballroom dance scene and Wildes The Invite, about a crumbling marriage in which she stars alongside Rogen. They are finding comedy in some of the toughest places, Nein said. In the Midnight section, theres Buddy, from Too Many Cooks creator Casper Kelly, about a girl who has to escape a kids TV show. There are some quirky, humorous documentaries too, including Joybubbles and John Wilsons The History of Concrete. Timely documentaries at Sundance Sundance has become famous for its documentary programming, many of which go on to be nominated for and win Oscars. This year is likely to be no different. Across the board, both in the U.S. and internationally, you have a program that deals with the world where it is right now, Nein said. These documentaries, they’re incredibly sophisticated, theyre very mindful of how complex world issues are, and they bring you into that process. One that might make waves is When A Witness Recants, in which author Ta-Nehisi Coates revisits the case of the 1983 murder of a boy in his Baltimore middle school and learns the truth. American Doctor follows three professionals trying to help in Gaza. All About the Money looks at heir-turned -communist Fergie Chambers. Daniel Roher and Charlie Tyrell take on artificial intelligence in The AI Doc: Or How I Became an Apocaloptimist and Sentient is about animal testing. A lot of them are sort of optimistic in one sense, in that theyre about people power, Nein said. Its about the power of community to affect change, the power of one person who you havent heard of necessarily. Those include Jane Elliott Against the World, about an Iowa schoolteacher who taught anti-discrimination in 1968, and Seized, about the police raid on the Marion County Record in Kansas. Ones to watch at Sundance 2026 New talents often emerge from Sundance, like Eva Victor last year with Sorry, Baby. This year programmers noted several gems in the lineup, including Beth de Araújos Josephine, about an 8-year-old who witnesses a crime, with Tatum and Gemma Chan. TV veteran Molly Manners Extra Geography, about boarding school friends in England, is one that Nein said is one of the funniest, most sophisticated debut features that hes seen from the U.K. in years. He also spotlighted LADY, a first feature from Nigerian filmmaker Olive Nwosu about a cab driver in Lagos, as well as the queer genre film Leviticus. As in years past, the Sundance competition titles will also be available to watch online. Yutani said her go-to recommendation for the remote audience is the world dramatic competition title Levitating, from Indonesian director Wregas Bhanuteja. Its set in this community where theres these trance parties, Yutani said. It is a thrilling film. This years festival will also honor its late founderRobert Redford with legacy screenings and serve as a celebration of its 40+ years in Park City before it relocates to Boulder, Colorado in 2027. The 2026 festival kicks off on Jan. 22 and runs through Feb. 1. Lindsey Bahr, AP film writer
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The automatic door has been reinvented. The home-focused tech startup Doma just announced its first product line: a set of residential doors capable of opening and closing automatically at the sight of an approaching homeowner. Packed with sensors, motors, and facial recognition technology, Doma Intelligent Doors bring automatic functionality and programmable controls to a home’s front doorall without clunky and unsightly equipment. [Image: Doma] Doma is led by founders Jason Johnson and designer Yves Béhar, who previously founded and later sold the smart door lockcompany August Home. The two joined forces again after sharing a frustration with the state of smart home technology. Despite more than a decade’s worth of smart home gadgets like the Nest thermostat, Ring doorbells, and robotic vacuums, the ideal of an integrated, Jetsons-esque automated home has never quite materialized. “It’s a lot of little devices that are peppered around the outside of your home, inside of your home, but nothing that really goes from products and apps to something that’s within the walls, within the systems of the home,” Béhar says. “We decided to move forward from this notion of the smart home, which didn’t really happen, to the intelligent home.” [Image: Doma] Doma Intelligent Doors aim to streamline one of the most common interfaces in the residential environment. But for how often people open and close their front doors, the process has always been manual. A relatively light lift in terms of effort, the simple act of opening and closing a door is not without its challenges. Particularly for people who are living with disabilities or limited mobility, automatic doors can be hugely beneficial. But even those who can open a door easily, a little help can sometimes be handy. “It’s amazing how often you actually have your hands full,” says Johnson. “At least me personally, I always have things in my hands and it’s really nice to have the door open for you. And just as nice as that is, it’s really nice to have the door closed for you.” Doma’s goal is for this type of automation to spread throughout the home. [Image: Doma] Doma’s doors work by recognizing a home’s residents and opening the door when they approach. A doorknob-sized circular screen on the exterior of the door contains the facial recognition sensors that allow the door to open as a resident approaches. Aside from facial recognition, Doma designed the system to operate in five other ways, including Bluetooth, ultra-wideband positioning sensors, access by a scannable QR code, password access through a keypad, or via the internet. A larger screen on the interior side of the door functions as a control panel for locking, unlocking, and temporarily holding the door open, and also functions as an oversized peephole with a live video feed. [Image: Doma] Doma’s motors and closures are integrated inside the door itself, making them compatible with conventional door frames. On the hinge side, the closure attaches to the door frame at a single point, and the system is hard-wired into the home’s electricity. All the door’s components, including a backup battery that can run for up to 30 days, are accessible from the edge of the door. Johnson says this approach was part of the reason he and Béhar started the company. They wanted, he says, “to make technology more blended into the surfaces of the home and disappear as much as possible.” [Image: Doma] The technology behind the opening and closing of Doma’s automatic door was key focus during the design process. “One of the things we really don’t like about existing motorized openers is when you don’t expect it to be to be closing. It starts closing on you and you go to touch it and it and you feel that motor, like it fights you,” Johnson says. The company invented a mechanism using highly sensitive millimeter wave radar sensors that stop the door’s motor the moment it sees a human in its path. They’ve also created what they call an electronic clutch that immediately disengages the motor if the door is pulled or pushed manually. “It operates just like a normal door without any friction or resistance,” Johnson says. “The technical term is motor drag. We have no motor drag and that is something we’ve filed a patent on and we’re very excited about.” [Image: Doma] For its automatic doors, Doma has already partnered with six major door manufacturers: Kolbe Windows & Doors, GlassCraft, MasterGrain, Doors & More, Artema, and Liberty Openings. By the time sales officially launch in summer 2026, the company expects to have another six partners to broaden its offerings. Doma claims its doors will have costs “equivalent to the price of a premium entry door, hardware and electronics purchased separately, depending on style, materials, and configuration.” In early 2026 the company plans to announce a second product line featuring smart windows. Sales are expected to begin in the fall. Using the same open and close technology and a similar approach to automation and user control, the windows are seen as part of a comprehensive package for improving a home’s security, air quality, and climate control. The idea behind Doma is that by connecting various parts of the home to these controls, the technology can automate simple but repetitive tasks, saving effort while also optimizing the interior environment. With windows and doors that can open and close on their own, Béhar and Johnson suggest, a home can react in teal-time to the needs of its users without their having to ask. In conjunction, it’s a closer approximation of the kind of smart home Béhar and Johnson had in mind when they made their first smart device. “Doma really represents a shift from device-centric thinking to environment-centric thinking,” Béhar says. “So it’s not a product you install, it’s really a living system that you inhabit.”
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Mega billionaire Elon Musk, in a friendly interview with his aide and conservative influencer Katie Miller, said his efforts leading the Department of Government Efficiency were only somewhat successful and he would not do it over again. The Tesla and SpaceX CEO, who also owns the social media platform X, still broadly defended President Donald Trump‘s controversial pop-up agency that Musk left in the spring before it shuttered officially last month. Yet Musk bemoaned how difficult it is to remake the federal government quickly, and he acknowledged how much his businesses suffered because of his DOGE work and its lack of popularity. We were a little bit successful. We were somewhat successful, he told Miller, who once worked as a DOGE spokeswoman charged with selling the agency’s work to the public. When Miller pressed Musk on whether he would do it all over again, he said: I don’t think so. … Instead of doing DOGE, I would have, basically, built … worked on my companies. Almost wistfully, Musk added, They wouldn’t have been burning the cars” a reference to consumer protests against Tesla. Still, things certainly have turned up for Musk since his departure from Trump’s administration. Tesla shareholders approved a pay package that could make Musk the worlds first trillionaire. Musk was speaking as a guest on the Katie Miller Podcast, which Miller, who is married to top Trump adviser Stephen Miller, launched after leaving government employment to work for Musk in the private sector. The two sat in chairs facing each other for a conversation that lasted more than 50 minutes and spanned topics from DOGE to Musk’s thoughts on AI, social media, conspiracy theories and fashion. Miller did not press Musk on the inner workings of DOGE and the controversial manner in which it took over federal agencies and data systems. Musk credited the agency with saving as much as $200 billion annually in zombie payments that he said can be avoided with better automated systems and coding for federal payouts. But that number is dwarfed by Musk’s ambitious promises at one time that an efficiency commission could measure savings in the trillions. Miller has not responded to an Associated Press request for comment. Bill Barrow, Associated Press
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