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Seven people have been arrested in the investigation of a stunning heist at the Louvre Museum in Paris, but the lavish, stolen jewels that once adorned France’s royals are still missing. In the days after the theft, a handful of experts warned that the artifacts valued at more than $100 million (88 million euros) could be melted or broken into parts. If done successfully, some say those smaller pieces could later go up for sale as part of a new necklace, earrings, or other jewelry, without turning too many heads. You dont even have to put them on a black market, you just put them in a jewelry store, said Erin Thompson, an art crime professor at the John Jay College of Criminal Justice in New York. It could be sold down the street from the Louvre.” Thompson and others say that this has become increasingly common with stolen jeweled and metal goods, noting that it’s a way thieves can try to cover their tracks and make money. It’s not like someone could publicly wear one of France’s stolen Crown Jewels and finding a market to sell the full artifacts would be incredibly difficult after everyone and their sister has seen photos of them over the last week, said Christopher Marinello, a lawyer and founder of Art Recovery International. French prosecutor Laure Beccuau made a plea Wednesday to whoever has the jewels. These jewels are now, of course, unsellable Anyone who buys them would be guilty of concealment of stolen goods, she warned. Theres still time to give them back. The jewels may be hard to monetize By breaking them apart, they will hide their theft, Marinello said, adding that these items could become even more traceless if they’re taken out of France and through jewel cutters and robust supply chains in other countries. Still, such pieces are often sold for a fraction of the value of what was stolen due to their smaller size, but also because melting or breaking down high-profile items removes the historical worth. It isn’t a simple process. The real art in an art heist isnt the stealing, its the selling, explained Robert Wittman, former senior investigator of the Federal Bureau of Investigation’s art crime team. Wittman, who has since formed his own private practice, said that the individuals behind such heists are typically better criminals or thieves than they are businessmen. Unlike others, Wittman is skeptical about the thieves successfully monetizing the artifacts they stole from the Louvre which include an emerald necklace and earrings, two crowns, two brooches, a sapphire necklace and a single earring worn by 19th-century royals. He notes the gems may still be identifiable by their clarity, for example, and gold that was refined when the pieces were made hundreds of years ago is not as pure as what’s typically in demand today. Because of what they are, theres really no point destroying them, Wittman said, while pointing to the risks of selling such high-profile stolen goods. Scott Guginsky, executive vice president of the Jewelers Security Alliance, a nonprofit trade association focused on preventing jewelry crime, also notes the age and quality of the artifacts’ diamonds. He suspects they’re probably not graded. Its not something that you can move on the open market. Its nothing that can go through an auction house,” said Guginsky, who used to run the New York Police Departments organized theft squad. Given the amount of preparation that the thieves likely put into this, Guginsky believes they have a plan for selling the jewels, even if they might first decide to sit on the jewelry and wait out suspicion. I cant see them stealing it without having an idea what they want to do, he said. Theres always a person willing to buy stolen jewelry. No matter what it is, somebody will buy it. Sara Yood, CEO and general counsel of the Jewelers Vigilance Committee, notes most jewelry businesses implement anti-money laundering programs and look out for red flags like unusual orders, repeated purchases, and requests for secrecy. Still, she and others say the age of some jewelsif broken down effectivelycould actually make it harder to track. Newer gemstones, for example, sometimes carry a laser inscription inside that can be evaluated in a lab. But because these are historical pieces, its rather unlikely that it has those identifying features, noted Yood. Experts like Thompson say bigger gems can be recut to a point that they’re unrecognizable. A challenge is finding people who have the skill to do that and don’t ask too many questions but it’s possible, she said. Whether the people behind the heist had those contacts or certain buyers lined up is unknown. But it’s important to also note that the guys who actually enter the museums are usually all hired hands, and theyre almost always caught in these cases, Thompson added. Chances of recovery look dim She and others say that museums have increasingly faced a rash of similar thefts over recent years. Thompson notes that stealing from storage can go undetected for longer: the British Museum in London, which has accused a former curator of stealing artifacts and selling them online, is still trying to recover some of the 2,000 items stolen. Some past thieves have made ransom demands for stolen artwork overall, or wait for a potential no questions asked reward from an insurance company which can amount to about a 10% cut for some insured pieces in Europe, Thompson says. The jewels stolen from the Louvre, however, were not privately insured. Sometimes government offers of a reward for information about a high-profile heist can also quicken the investigation, although the French government has yet to publicize such an incentive. If that changes, or promising leads are uncovered from the evidence left behind at the Louvre, experts like Wittman note it could increase the chances of recovering the artifacts. Still, as more time passes, others feel that the fate of finding the historic jewels looks dim. I think theyre going to catch the criminals, Marinello said. But I dont think theyll find them with the jewels intact. Wyatte Grantham-Philips and R.J. Rico, Associated Press
				
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I-P-Go! Shares of Navan, a travel-tech firm based in Silicon Valley, hit the exchanges on Thursday. The company priced its initial public offering at $25 per share, raising roughly $923 million. The $25 per-share price is within the $24$26 range the company zeroed-in on last week, when it also announced it would sell nearly 37 million shares of common stock. The IPO puts Navans valuation at around $9.2 billion. Navan shares will trade on the Nasdaq under the ticker NAVN. Founded in 2015, the company bills itself as an all-in-one business travel, payments, and expense management platform that makes travel easy for frequent travelers, helping customers find flights and hotels, automating expensing, and delivering an intuitive experience travelers love and finance teams rely on. In other words, the company utilizes AI technology to simplify corporate and business travel, aimed at reshaping an industry that has not changed in 30 years, per its SEC filings. Navan is attempting to fly as post-pandemic travel rebounds in a big way. Data from the Global Business Travel Association shows that worldwide business travel spending was expected to reach a record $1.57 trillion by the end of 2025, although that estimate may be blunted by the government shutdown and other factors. Notably, Navan is perhaps the most high-profile IPO over the past month, since the federal government shut down. The SECs filing process has been significantly stalled as the regulator has furloughed 90% of its staff. That put a damper on the overall IPO market, which had rebounded this year: During the third quarter of 2025, EY reports that 65 IPOs raised $15.7 billion, a big increase from the 40 IPOs that raised $8.6 billion during Q3 2024. All told, there have been 176 IPOs year-to-date totaling more than $30 billion, a 20% increase over 2024. SEC Chairman Paul Atkins, in a statement on X, noted that MapLight Therapeutics, a relatively small biotech firm, went public earlier this week, and that it was proof that the governments regulatory machinery was still working. With yesterdays listing of MapLight, the IPO market is still open for businesscompanies are going public during the government shutdown using the method Congress originally intended, he wrote.
						
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House flippers are about to get an AI assist on their next renovation project. Kai is an AI-powered tool that can visually identify what’s needed to fix up a house and put it on the market. The system converts photos and videos of house projects into SKU-level material specifications and cost estimates, making it fast and easy for an institutional home renovator to create an actionable renovation plan and order all the materials needed to get the job done. Kai has just launched a partnership with home improvement retailer Home Depot to link its building material and product selection tools directly with Home Depot’s 3.5 million item inventory list. Home renovators will be able to use Kai to scan a project, identify the materials needed, and immediately order them from Home Depot. [Image: Kai] Kai’s cofounder and CEO Or Agassi calls it an “AI-native renovation intelligence platform” that can effectively reverse engineer a scope of work on anything from a kitchen remodel to a down-to-the-studs gut renovation. With a guided photography process, Kai analyzes images of a house to determine what materials are needed to complete a given project. A photo showing a cracked door, for example, would lead the tool to offer up a few options for replacement, with their prices and availability at Home Depot stores in the area. An image of an old furnace can lead the tool to recommend a more efficient model that can increase the resale value of the home. [Image: Kai] It’s an evolution of RenoWalk, an in-house tool Home Depot had used for more than a decade, which allowed business customers to streamline property management and renovation projects by integrating with Home Depot’s inventory and ordering systems. The company decided to sunset that tool, and now Kai is taking its place, using data from the tens of thousands of renovation projects completed using the old system. Kai declined to disclose terms of the Home Depot deal. Kai’s first users are large institutional housing investors and operators, including both public and private companies. Citing nondisclosure agreements, Kai declined to reveal the names of these companies. Some of these companies own more than 100,000 houses across the U.S. They also bring their own wealth of renovation data, which Kai uses to train client-specific AI models. “If you send us a scope of work of how you like to renovate, we will know how to create a playbook based on that,” Agassi says. The system also adjusts for different types of renovation projects and budget levels. “Whether you’re looking to optimize for selling to the market, selling off market, renting the property out, we know how to understand the renovation condition and tell you what needed to be done to hit this target renovation,” Agassi says. [Image: Kai] Agassi says the system has the potential to drastically reduce project timelines and budgets, and help get more affordable housing on the market. “There’s a shortage of five million single family rentals out there. And it’s only getting worse because new inventory is unable to catch up,” Agassia says. “We are trying to solve for the biggest issue in housing.” Agassi has been looking at the housing challenges in the U.S. for more than a decade. Previously he and Kai cofounder Tov Arneson created Stoa, a now-closed proptech company that helped connect fix-and-flip housing investors with institutional investors and housing operators looking for more inventory. The company was seeing solid growth since its launch in 2017 but a hike in interest rates in 2023 hit the company hard and it shut down. Agassi says that even though the company failed, the idea behind Stoa stuck with him. Kai is an evolution of that concept. “We are fulfilling what used to be our dream at Stoa, which is a system that you get into a property, take some photos, and it tells you what you need to do in order to do an optimized renovation,” says Agassi. “The technology was never there, and now it is.” Agassi says Kai expects to be serving tens of thousands of customers by the end of the year, and plans on expanding the tool for use by mom-and-pop landlords, DIYers, and contractors next year. “We start with the largest operators, but the goal is to go all the way down to the consumer sitting in the comfort of their own homes, taking some photos, and we tell them exactly what’s needed to be done in order to renovate for the optimal outcome,” Agassi says.
						
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