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2025-06-20 12:14:00| Fast Company

Do you love summer? And ice cream? Then you are going to love today. Thats because Friday, June 20, is officially the start of summer in North America, and in celebration of that, grocery store giant Kroger is giving away 92,000 free pints of ice cream. Yep, you read that right: 92,000. Heres what you need to know, including how to get your free pint. Summer begins in the northern hemisphere Astronomical summer officially begins on the summer solstice every year. It’s the day that the sun travels its highest arc across the northern hemisphere. Due to that arc, the summer solstice is also the longest day of the year. However, one note about the summer solstice: Depending on where you are in the northern hemisphere, it actually may not occur until a day later than it occurs in some countries. This is because of the time zone difference between countries. As ABC News points out, the sun will be at its highest point in relation to the northern hemisphere at 10:42 p.m. ET tonight, which means that the summer solstice will occur in all countries in North America and Central America today, June 20.  However, 10:42 p.m. ET June 20 is June 21 in countries across the Atlantic, which is why astronomical summer starts a day later in those countries. But youre really here for free ice cream news, right? And Kroger is in North America, which is why it is celebrating the summer solstice by giving away 92,000 pints of free ice cream today, June 20. How you can get a free pint from Kroger Kroger is giving away 92,000 free pints of ice cream today to celebrate both the start of summer and its new limited-time Summer in a Pint collection of ice cream. This new summer collection of ice cream includes four flavors: Italian Style Summer Fizz Fireside Nights Sandy Shores Poolside Tan Lines. With Krogers ice cream giveaway today, you can try any one of those flavors for free. However, the grocery store chains free ice cream pint giveaway isnt limited to only one of those four flavors. Customers can get a free pint of the new Summer in a Pint collection or any classic Kroger Brand ice cream flavors. Heres how: Go to FreeKrogerIceCream.com. Choose the Kroger-owned store that you want to get your free ice cream pint from. In addition to Kroger locations, you can get a free pint from Krogers other brands, including: Bakers, City Market, Dillons, Food 4 Less, Fred Meyer. Frys, Gerbes, Jay C Food Store, Marianos, Metro Market, Pay-Less Super Markets, Pick’n Save, and Smiths Food and Drug. Youll then be able to download a single-use digital coupon good for one free pint of ice cream. The coupons will go live using the steps above at 12 pm EST today, Friday, June 20. As long as you get your digital coupon, you can use it at the Kroger family of stores listed above any time between today and July 4. However, note that these digital coupons are limited to 92,000, so once they are gone, so is your chance of getting a free pint of ice cream. The free pint promotion is available in all U.S. states except California, Colorado, Louisiana, Tennessee, and Nevada. And if youre wondering why Kroger decided to give away 92,000 pints, its because there are 92 days in summer this year, and Kroger is giving away 1,000 pints for every day of the summer period. Kroger faced Juneteenth backlash this week While Kroger may win a lot of customer goodwill for giving away bucketloads of ice cream today, yesterday the company faced notable backlash after a Georgia location offered Juneteenth-themed cakes that appeared to be quickly and haphazardly decorated. One widely circulating video showed multiple Kroger Juneteenth cakes with their icing appearing to be sloppily applied. One cookie cake read “Free @ Last. Today reported that Kroger has removed the cakes in question and issued an apology to customers, stating, Juneteenth holiday marks a commemoration and celebration of freedom and independence. However, we received feedback that a few items caused concern for some of our customers and we sincerely apologize. The Kroger Co. (NYSE: KR) is headquartered in Cincinnati. It runs more than 2,700 stores across America. In March, the company reported its full-year 2024 results. During fiscal year 2024, the company reported $147.1 billion in sales. As of the close of the market on Wednesday, KR stock is up 7% since the beginning of the year. Over the past year, KG shares have climbed 26%.


Category: E-Commerce

 

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2025-06-20 12:00:00| Fast Company

Today, Tyler, the Creator drops two new styles in his ongoing collaboration with Converse: a yacht shoe and a jogger, both of which are 1970s silhouettes pulled from the brand’s archives. Tyler knows you’re probably going to wear these sneakers with jeans and a T-shirt. But that’s the wrong move, he insists. When I speak with him, he’s wearing the jogger with a button up, a cropped rain jacket, and trousers. He’d prefer if you wore these kicks with a more polished look. “Nah, bruh,” he says. “Wear them with the ill slacks and the ill sweater.” As his stage name implies, Tyler is involved in too many different creative ventures to count. He’s a rapper and producer, who also writes for an adult cartoon show called The Jellies, and creator of a music festival called Camp Flog Gnaw Carnival. But like his friend and mentor, Pharrell Williams, he’s become increasingly well-known for his personal aesthetic and his contributions to the world of fashion. In 2011, he launched his streetwear label, Golf Wang, and in 2017, he began collaborating with Converse, a subsidiary of Nike, which generated $2.1 billion in 2024. (This was a 14% decline from 2023.) Over the years, his partnership with Converse has evolved into a separate, stand-alone brand called Le Fleur, a nod to his 2017 Grammy-nominated album, Flower Boy. The line is known for its pastel color palette; bold daisy icon, which encapsulates the Converse star; and the way in which it plays with traditional gender norms. Tyler isn’t interested in a total redesign of the Converse silhouettes. For this collection, he worked with Lindsay Almeida, Converse’s director of entertainment and sports marketing, to explore the archives. He was drawn to the Naut-1, a yacht shoe first released in 1971, and the Coach Jogger, an Olympic running shoe from 1976. He liked these models because they seemed fresh and relevant. “I honestly hate the idea of nostalgia,” he says. “I didn’t want to reinvent the wheel because I think these shoes were perfect. I just wanted to do them in new colors.” And indeed, Tyler designs the shoes in interesting colors. The joggers, which cost $100, come in a teal and yellow, a dark and light green, and a brown and mustard. The yacht shoes, which cost $90, come in a cream with delicate embroidered flowers, a dark brown, and a teal. While some critics on social media argue that he hasn’t done much to bring his own point of view to these designs, Tyler believes that small changes can be impactful. It echoes fashion designer Virgil Abloh, who argued that you only need to change an idea by 3% to create something new. And ultimately, Tyler believes that his strength lies in curating pieces and bringing them together in interesting ways. “It’s in the styling, the way they’re worn, the color palettes,” he says. “I really love wearing a sporty shoe with an outfit that makes folks glitch and say, I didn’t know you could wear them like that.” Tyler still designs for Golf Wang, which is grounded in streetwear, with hoodies and jeans. But he says that Le Fleur’s aesthetic is more reflective of his personal style these days. “I didn’t want to have to change Golf Wang because it would alienate folks,” he says. “But Le Fleur is a mirror to where I’m at in life, with unique styles and colorways.” Converse has been struggling over the past decade; last year, its revenues declined 14% from the year before and in May, it laid off 2% of its workforce. A decade ago, it relaunched it’s most famous shoe, the Chuck Taylor, with new technology, but consumers did not take to the new version and sales dropped. Part of the company’s strategy to grow sales was to bring on new collaborators; Tyler was among them. Since the first release, in 2017, products from the collaboration have been popular and allow Converse to stay in the cultural conversation (not to mention connect with Tyler’s nearly 17 million Instagram followers). Still, it’s a hard moment for Converse and its parent company, Nike. In an earnings call last December, Nike CFO Matt Friend said that consumers were pulling back on spending. He argued that newness is what would cause consumers to shop. Converse is counting on this new collab to get sneakerheads to pay attention.


Category: E-Commerce

 

2025-06-20 11:30:00| Fast Company

In 2023, the flagship reveal at Apples WWDC keynote was unquestionably the debut of the Vision Pro. The headset wasnt just Apples first all-new platform since the Apple Watch. It was also the companys opportunity to define what, exactly, a computer you strap to your head should do. Being Apple, it purposefully steered clear of existing concepts such as the metaverse and virtual reality. Instead, it embraced a term it stood a shot of owning: spatial computing. Rather than aiming to nail one or two experiencesmovie-watching or gaming or even industrial-strength applications such as trainingthe Vision Pro would aspire to deliver general-purpose utility reminiscent of the Mac. Just in a radically new, immersive form. Flash-forward to this years WWDC. No longer the keynotes headliner, Vision Pro took its place among the Apple platforms getting operating system updates in the fallin its case, VisionOS 26. Thats not a sign of diminished relevance, though. Those yearly software upgrades keep Apple gear evolving and improving; over time, they contribute more to a products relevance than even the biggest-bang hardware introductions. And VisionOS 26s meatiness makes for a striking contrast with the barely evolving Apple TV box, a product that still feels like a hobby at best more than 18 years after Steve Jobs described it as one. [Image: Apple] Last week, after watching the keynote at Apple Park, I got some eyes- and hands-on experience with the Vision Pros new features and discussed them with Steve Sinclair, senior director of Apple Vision Pro product marketing, and Jeff Norris, senior director of apps and content for the Vision Products Group. The two executives emphasized the practical ways VisionOS 26 expands on the Vision Pros capabilities. The upgrade, Sinclair told me, adds new ways to connect. It adds new ways to be more immersed. It unlocks new methods to interact with the spatial digital content that we have. And it makes Vision Pro something that users can enjoy using every single day. Increasing the everyday value of an existing product is always worthwhile, particularly when the product in question costs $3,500 and is still in the process of establishing itself. But VisionOS 26 is part of a longer-term bet. In April, Bloombergs Mark Gurman reported that Apple is working on two new headsets and that CEO Tim Cook is eager to release something in a more glasses-like form factor when the technology is ready. Nobody at Apple is going to speak publicly about such unannounced products. But just the plurality of the Vision Products Group in Norriss title indicates that the company doesnt see the Vision Pro as a one-off. You can place widgets like this calendar in real space and leave them there. [Image: Apple] In terms of sheer visual and technical wonder, VisionOSs standout feature may be the updated Personas, the photorealistic avatars that can appear in FaceTime calls, other forms of videoconferencing, and SharePlay-enabled communal experiences such as movie watching. Personas already received a significant upgrade last year, shortly after the Vision Pro shipped, and even in the new version, the concept remains the same. The setup processyou take off the Vision Pro and use it like a camera to scan your headalso remains quick and easy. Whats new is that the Personas are much more detailed and natural-looking, complete with the ability to turn from side to side in a more realistic fashion as you move your head. We continue to push [Personas] forward, because we knew how important it was for you to be able to represent yourself while you’re on a call with someone, Sinclair says. And you needed to look like yourself, and feel real, and have the other people who are in the call with you feel real as well. During my demo, I created a VisionOS 26 Persona of myself and recorded a brief video of it talking in front of a virtual Apple Park backdropan Inception-like moment given that the real me was inside the real Apple Park at the time. Coming face-to-face with your own Persona might not be the most effective way to assess the feature; its other peoples Personas youll see most of the time, and staring at an uncanny digital representation of yourself can be unnerving. (The first thing I noticed was that mine could use a shave.) Judging from my own Persona and glimpses of others in the WWDC keynote, their realism seems to be in the same vicinity as the Meta research project that powered a 2023 conversation between Mark Zuckerberg and podcaster Le Fridman. (It took place in the metaverse but still hasnt resulted in a commercial product.) Apples version hardly amounts to photorealistic avatars for the rest of usjust for the privileged few who own a Vision Pro. Still, it feels like a meaningful step toward mainstreaming the technology. By tiptoeing ever closer to faithfully re-creating its customers as digital people, does Apple run the risk of creating an unsettling uncanny valley effect that cartoony avatars such as Memoji will never provoke? The last thing I would want to see is for us get so scared of that valley that we don’t make the leaps ahead that we’re making with the new version of Personas, Norris says. It’s a valley, not a cliff, you know? And there is a place beyond that. My VisionOS 26 Persona at Apple Park (only the glasses werent scanned from the real me) [Screenshot: Harry McCracken] Another VisionOS 26 update is also about upping the Vision Pros level of realism, though in ways less fraught than simulating actual human beings. You can now plunk down widgetsthe same ones available on iPhones, iPads, and Macsin a specific spot in 3D space, where theyll stay until you move them. For instance, you could put a digital clock on your real living room wall for consultation every time you don the Vision Pro. Its a convincing effect: In my demo at Apple Park, I wasnt positive that a poster of Lady Gaga wasnt really there until I learned I could gesture at it to summon her songs, courtesy of Apple Music. Now, the ability to precisely stick widgets in your real-world environment is not in itself a killer feature. Plain old wall clocks still work quite well, no $3,500 headset required. However, if you think ahead to a future in which AR is a bigger part of our lives, this sort of sophisticated melding of digital and physical reality starts to feel like table stakes. Apple has been chipping away at this challenge for years: Back in 2020, I reviewed a new iPad Pro whose AR features were intriguing, though a bit out of place in a tablet. On the Vision Pro, they make far more sense. It sounds kind of obvious that things should stay where you put them, Norris says. Things certainly seem to do that normally. But there is a lot that has to come together for that to happen. Content created with spatial computing in mind is gradually hitting the Vision Pros App Store: During our chat, Sinclair waxed enthusiastic about D-Day: The Camera Soldier, an interactive WWII documentary coproduced by Time magazine. But some of VisionOS 26s adjustments turn stuff that might currently be languishing in your iCloud storage into new experiences. For example, an improved version of Spatial Scenes applies multidimensional depth to 2D images. Reminiscent of Facebooks 3D photos or maybe even the View-Master, its a tad gimmicky. Thanks to 2025-level generative AI, however, it produces an especially convincing effect; you can even crook your neck to peek at plausibly reconstructed details that werent visible in the original shot. VisionOS 26 also adds native support for 180- and 360-degree video shot with cameras from GoPro, Insta360, and Canon. The results arent in 3D, but the samples I saw in my demo, including a skydiving shot, were pretty breathtaking. Amid all of VisionOS 26s additions, I was struck by one thing that hasnt changed: the fundamentals of using it. Even on day one, the Vision Pros combination of eye tracking and a few hand gestures was simple to master and capable of more than you might expect. Its not a given that a wildly new type of product will get that right on its first attempt: The Apple Watch has been through several sweeping makeovers, and the 15-year-old iPad received WWDC 2025s most thorough redesign. That Apple largely nailed the Vision Pro interface from the start may help explain why its been able to build out so many features in VisionOS 26. When we launched Vision Pro, we saw immediately how quickly people got up to speed in using their eyes and their hands to interact, Sinclair says. And so, we continued to encourage [third-party] developers and of course our own teams to lean into that, because it is such an easy way to interact with the content that you have. That said, he notes that some scenarios benefit from other forms of input, a fact reflected in VisionOS 26s support for Logitechs upcoming Muse 3D stylus and Sonys existing PlayStation VR2 hand controllers. Numerous technical obstacles still stand in the way of anyone releasing comfy, affordable, power-efficient glasses that rival the Vision Pros capabilities. Im still not positive that anyone in the industry will pull it off soon. Nor is it certain that the concept will ever reach smartphone-like ubiquity. Nevertheless, watching Apple use the Vision Pro as a proving ground for some of the necessary building blocks right now is funand makes me wonder what VisionOS 27, 28, or 29 might bring. Youve been reading Plugged In, Fast Companys weekly tech newsletter from me, global technology editor Harry McCracken. If a friend or colleague forwarded this edition to youor if you’re reading it on FastCompany.comyou can check out previous issues and sign up to get it yourself every Friday morning. I love hearing from you: Ping me at hmccracken@fastcompany.com with your feedback and ideas for future newsletters. I’m also on Bluesky, Mastodon, and Threads, and you can follow Plugged In on Flipboard. More top tech stories from Fast Company AI is supercharging war. Could it also help broker peace?Technologists and investors are pushing AI tools as a path to peaceand profitsas they navigate a minefield of risks. Read More Reid Hoffman on Musk vs. Trump and the real AI threat to jobsThe LinkedIn cofounder unpacks the rising global instability, the political fallout between Elon Musk and Donald Trump, and why panic over an AI-induced white-collar bloodbath misses the bigger picture. Read More Influencers are hiring private investigators to unmask anonymous online trollsAustralian TikTok star Indy Clinton reveals she spent months tracking down her internet bullies. Read More Trump Mobile is here. Experts are baffledThe Trump Organization is launching a $499 smartphone and branded wireless service. Analysts say the plan raises more questions than answersand doubt it will find a real market. Read More WhatsApps new ad feature sparks backlashand a golden opportunity for SignalAs concerns over surveillance and data harvesting mount, the secure messaging wars are heating up. Read More The new jingle for Sam Altmans human verification service will get stuck in your very human brainTools for Humanitys World launched its first-ever ad campaign for human verification in an AI world. Read More


Category: E-Commerce

 

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