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New releases in fiction, nonfiction and comics that caught our attention this week. This article originally appeared on Engadget at https://www.engadget.com/entertainment/what-to-read-this-weekend-a-visual-history-of-futurama-and-more-193047965.html?src=rss
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There are numerous options for concert earplugs nowadays, so you dont have to settle for the bargain bin foam bits that completely seal off your ears anymore. The PPE-grade products vary in design and performance, with some offering different levels of noise reduction. That hearing protection always comes with the promise that the earplugs wont completely muffle the band, which is a real problem when you have to settle for the generic foam versions from the bartender. Loop has been in the concert earplug game since its founding in 2016. In that time, its product roster has grown to encompass nine different models, including dedicated options for sleep, travel, commuting and social events in addition to concerts, festivals and sporting events. The Switch 2 ($59.95) is Loops latest, an improved version of the original Switch that debuted the ability to change sound filter levels while the earplugs were still in your ears. To put the audio quality to the test, I took them to a 100dB rock show in a small venue last month. Loop has maintained mostly the same design from its first model. Theres a silicone ear tip, similar to those on wireless earbuds, thats attached to a circular loop where all the protective bits reside. In the case of the Switch 2, the outer half of that loop rotates to allow you to select between three levels of sound filtration: Engage, Experience and Quiet. These settings reduce noise by 20dB, 23dB and 26dB respectively, and you dont have to take them out to make the adjustment. The company recommends Engage for social gatherings and conversations while Experience works best for concerts and sporting events. Quiets maximum noise reduction is meant for commutes and downtime, which also makes them a solid option for travel. For the Switch 2, Loop says it redesigned that dial for smoother changes while youre wearing them. I never tried the previous model, but I can tell you this new version allows you to rotate between modes with ease. I never felt like I had to press the earplugs further into my ear to make the change, and the dial stopped at each setting with a satisfying click that I could feel even when the venue was too loud for me to hear it. True to Loops advice, I found the Experience setting was the best for the live show. My Apple Watch detected that the venue hit 100dB, a level at which the National Institute for Occupational Safety and Health (NIOSH) says you should only be exposed to for 15 minutes to avoid hearing damage. Obviously, with five bands on the bill for the evening, I was going to spend significantly more time in a dangerously loud environment. So, the 23dB reduction at this setting brought the noise level down to a much safer number for the roughly two hours I was there. Since a set of earplugs is so tiny, I was able to easily carry both the Switch 2 and the Sennheiser SoundProtex Plus to the show for a direct comparison. During both the brutal hardcore of Ends of Sanity and the chaotic metal of Dying Wish, I could consistently hear more details with the Switch 2. This was most apparent in the guitars, where Loops option let in more high-frequency sound, allowing me to enjoy all the riffs both bands had to offer. I like the fit of SoundProtex Plus, but the filtered sound is more bass heavy and tends to favor the drums, so it loses some fidelity compared to the Switch 2. Billy Steele for Engadget The Switch 2 comes with four sizes of ear tips to help you find the best fit, and theres a hard plastic case thats easy to find when you drop it in a bag. Again, this is very compact (about the size of a quarter), so I just carry them with me all the time so I dont have to worry about forgetting them before I head out to another concert. The SoundProtex Plus, however, comes with three separate ear plugs in three different sizes. That pack also includes four sound filters, with options for 10dB, 17dB, 20dB and full noise reduction. The big problem with Sennheiser's version is that you cant swap the filters without removing them from your ears. Its a quick process, but the filters are tiny, so its not something you want to fiddle with mid-set in a crowded club. Plus, youll have to remember to pack those in the tiny pouch the company gives you before you leave home. The SoundProtex Plus is now a much more attractive option at $50, which is $30 less than they were when I reviewed them. But, as I mentioned, I think the Switch 2 offers better sound filtration and ease of use for just $10 more. I have close friends and former bandmates whove used Loop earplugs for years and they noted the secure fit of the ear tips in the companys products as a key selling point. Some of the competition tends to work itself loose after a few minutes, they said, requiring constant adjustment. For the Switch 2, the company revised those parts for better noise reduction in the maximum or Quiet mode, and they still stay in place as long as you need them to. The only time I ever reached for the earplugs during the show was to adjust the filter setting for testing purposes. Ive been toting the SoundProtex Plus around with me since I started testing them last year, and theyve served me well. However, the Switch 2 lets more detail through, which means you can hear more of what the band has to offer during the show. Plus, Loops latest model offers more noise protection at each level, with even the lowest setting bringing a 100dB venue down to something thats safer to stand in. And like the Sennheiser package, the Switch 2 is certified as hearing protection after thorough testing, meeting both EU and US safety standards.This article originally appeared on Engadget at https://www.engadget.com/audio/loop-switch-2-review-easily-adjustable-earplugs-that-are-great-for-concerts-150002181.html?src=rss
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Remember in the middle of the COVID-19 pandemic when live audio was suddenly everywhere? The trend was made popular by the briefly viral phenomenon Clubhouse before seemingly every other online platform copied the feature for themselves. Since then, live audio has become mostly a footnote to a weird time when we were all stuck at home at the same time with nothing to do and listening to hours-long streams of strangers talking to each other passed as entertainment. Now LinkedIn, which was somewhat late to the live audio party in 2022, has opted to get rid of its standalone live audio events. In an update, the company says it will no longer support native audio events beginning next month. Users will stop being able to create new events as of December 2, and previously scheduled events will no longer work after December 31. Instead, the company is bringing together audio events with its live-streaming feature, LinkedIn Live. LinkedIn Live, however, requires creators to use third-party tools to set up streams. So while audio-only streams will still be able to exist on LinkedIn, they will take a few extra steps. LinkedIn isnt the only company to change course on live audio. Reddit, Facebook, Spotify and Amazon have all shuttered their pandemic-era live audio products.Even Clubhouse (which, yes, still exists) pivoted away from the format last year. The feature is, however going strong on X despite a few high-profile technical issues.This article originally appeared on Engadget at https://www.engadget.com/social-media/linkedin-is-killing-the-standalone-live-audio-feature-you-probably-forgot-about-232705727.html?src=rss
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