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When Dr. Wendy Ross logged on for a Zoom meeting in early 2024, she wasnt sure who to expect on the other side of the call. It was a digital writers’ room, Ross tells Fast Company, “and in the upper left-hand cornerI’ll never forget itwas Noah Wyle. Ross, a developmental and behavioral pediatrician and the director of Jefferson Center for Autism & Neurodiversity in Philadelphia, had received a request to lend her expertise to the writers of a new medical seriesbut they told her only that it was set in an emergency room and would potentially feature an autistic doctor. I had no idea what was going to happen, but I thought it sounded kind of cool, she says. That show went on to become HBO’s hit drama The Pitt, which won three Emmy Awards and averaged 10 million viewers an episode in its first season. Wyle is an executive producer and a star of the show, making his return to medical dramas 30 years after his breakout role on ER. (Ross recalls that show airing at the same time she was first studying medicine: In my fangirl world, we went to medical school together, she saysthough when meeting him over Zoom, she kept her cool.) From the get-go, Ross says, The Pitts writers were very serious about not portraying a stereotypical situation regarding autism. “That was in the original request that was posed to me,” she says. Her advice eventually helped shape fan-favorite character Dr. Mel King (played by Taylor Dearden), a bright-eyed resident new to the ER in the show’s first season. [Photo: HBO] Mel exhibits many autistic-coded traits, like self-soothing, the occasional dropped social cue, and a knack for repetitive, focused tasks. But notably, shes never confirmed on the show to be diagnosed as neurodivergent. Instead, viewers get to see many sides of Mel as the season unfolds: her compassion as she comforts a child losing her sister, her earnestness as she befriends her fellow doctors, her eccentricity as she calms herself by repeating Megan Thee Stallion lyrics like a mantra. The decision not to confirm a diagnosis onscreen was a recommendation from Ross. I suggested that it not be clear whether or not this character knew she was on the spectrum, but that some of these characteristics unfold subtly and naturally, as they do in real life, she says. Autistic women are often diagnosed later in life than autistic men; Ross even points out that many women dont receive diagnoses themselves until their children are diagnosed, prompting them to recognize shared traits. Mel stands in for these women, whose autistic traits could pass for neurotypical if unexamined. You see her sometimes do these quirky, unexpected, very enthusiastic things that are kind of subtle, Ross says, but for people who know, you know. A difficult reality The year prior to being tapped by The Pitts writers room, Ross co-authored an article on the experiences of autistic doctors in the workplace in collaboration with Autistic Doctors International. The data in that article was very disconcerting and, frankly, a little bit sad, she says. Ross and her fellow researchers found that of the 225 autistic doctors surveyed, 77 percent had considered suicide, while 24% had attempted it. 80% of respondents said theyd worked with another doctor they suspected was autistic, but only 22% had worked with a doctor they knew was autistic. There’s a lot of anxiety and depression related to being an autistic doctor, Ross says. Part of it is, its a don’t ask, dont tell kind of situation, because people are afraid of the stigma, and by the time they do disclose, they’ve had so many challenges that things quickly become a self-fulfilling prophecy. Banishing stereotypical mythology Ross work with autistic doctors caught the attention of The Pitt‘s development team, who contacted her through the University of Southern Californias Hollywood, Health & Society program, a service that connects the entertainment industry with experts in medicine and safety. “I think that this is an extremely sincere group of people that is motivated by more than the popularity of a show, and I think that’s really special, says Ross. Ross advised The Pitt to avoid overused tropes of autistic characters on televisionparticularly, what she calls the stereotypical mythology of autistic people being savants. While there are some autistic savants, many autistic individuals have varying levels of cognitive abilities like the rest of us, she says, noting that their actual super strength is in dealing with other neurodivergent individuals in stressful situations (like being in an emergency room). Its really important that we understand all kinds of minds, that we understand that everyone has strengths that they bring to the table,” Ross says. “They don’t have to be savants to provide added value.” Ross also recommended that The Pitt cast a neurodivergent actress in the role, which she says lends a level of authenticity to any portrayal of autism. [Photo: HBO] The Pitt did so in casting Dearden, who shared that she has ADHD after the first season aired. Dearden, for her part, has shared the importance of bringing authenticity to her performance as Mel: Im really sick of what people usually do on TV, she said in an interview with Variety. I feel like every time its ever been portrayed, its usually complete robots or completely dysfunctional and cant survive at all. Its ridiculous. The value of authentic representation Now airing its second season, The Pitt has garnered massive critical acclaim not only for its portrayal of Mel, but for tackling themes like gun violence, substance abuse, and burnout in the healthcare industry. Beyond its stellar cast and writing, Ross attributes the shows success to its focus on empathy. “That’s a pervasive theme that expands well beyond the autistic characters, she says. This idea of having authentic representations of people, of accepting all kinds of people, and understanding that we all have strengths and challenges that we engage with is really critically important. Ross hopes that on-screen portrayals like The Pitts can inspire the real-world healthcare industry to do better by neurodivergent folksnot only patients, but doctors and other healthcare professionals. She compares it to the implementation of ramps for wheelchair users: Though designed for the needs of a specific demographic, they improve the lives of all people with mobility issues. The strategies that we deploy for this population are things that all of our patients and colleagues benefit from, Ross says. This kind of care is the kind that some people really have to have, but that all of us ultimately deserve.
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Artificial intelligence chipmaker Nvidia on Wednesday announced another quarter of astounding quarterly growth as investors try to decipher whether technology’s latest craze is overblown hyperbole or a springboard into a new era of prosperity and productivity.The results for the November-January period blew past the analyst projections that shape investors’ perceptions, as has been the case since Nvidia’s high-end chips emerged as AI’s best building blocks three years ago.Nvidia’s fiscal fourth-quarter revenue surged 73% from the previous year to $68.1 billion while its profit nearly doubled to roughly $43 billion, or $1.76 per share.“No quarter has had more riding on it than this one,” said Jake Behan, head of capital markets for the investment firm Direxion. “The AI trade needed some positive news and Nvidia’s earnings report brought plenty of it.”The Santa Clara, California, company also provided a forecast exceeding analyst projections while its CEO Jensen Huang reinforced the demand for the company’s chips is still “skyrocketing.” That description feeds into Huang’s thesis that the AI boom is still in the early stages of a buildout that will reshape society. If Nvidia hits its revenue target for the February-April period, it will translate into a 77% increase from last year a sign that the company’s already phenomenal growth rate is still accelerating.“AI is here, AI is not going to go back,” Huang said during a conference call with analysts. “AI is only going to only get better from here.”Despite the stellar results and still-rosy outlook, many investors still evidently are worried about a jarring comedown after a three-year boom that has seen Nvidia’s market value soar from $400 billion at the end of 2022 to nearly $4.8 trillion now. After initially rising 4% in extended trading after the latest quarterly numbers came out, Nvidia’s stock price backtracked and was slightly down following Huang’s upbeat conference call.Nvidia has regularly cleared the bar set by analysts in the past three years, often by a wide margin, but that hasn’t always been enough to satisfy investors who have become increasingly skeptical about whether AI will justify the trillions of dollars that are being spent to develop the technology.After Nvidia delivered a stellar performance that far exceeded analyst forecasts in its last quarterly report, its stock price still fell by 3% during the next day’s trading.The AI fervor has escalated again during the past month as the four companies leading the AI charge Amazon, Microsoft, Google parent Alphabet and Facebook parent Meta Platforms collectively made commitments to spend about $650 billion this year ramping up their AI computing power.A significant amount of the money is expected to be earmarked to buy more Nvidia chips required to power their AI factories, just as has been the case for much of the past three years as Nvidia’s annual revenue soared from $27 billion to $216 billion. Analysts expect the chipmaker’s revenue to surpass $330 billion during the company’s next fiscal year, a more than 50% increase from the past year.“We want to take the great opportunity that we have as we’re in the beginning of this new computing era, this new computing platform shift, to put everybody on Nvidia,” Huang said. Michael Liedtke, AP Technology Writer
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There are few things that unite the world like animal videos. There are also few things that are so readily commoditized. Both have occurred in the case of Punch, a baby monkey at the Ichikawa City Zoo in Japan. Punch captured hearts around the world after a viral post showed him hugging a stuffed orangutan toy after being rejected by other monkeys. E-commerce sellers act quickly with monkey merch Now, the young Japanese macaque and his stuffed friend are available as everything from toys on Etsy to adecide for yourself if its AIchildren’s book on Amazon. Theres also an official Punch Monkey store with products like stickers, shirts, and mugs. Some of the merchandise even contains hopeful sayings, like Small, but brave, alongside imagery of the pair. In fact, the original plush orangutan doll is available for $19.99, as its one of the Djungelskog soft toys from Ikea. The Swedish retailer has gone so far as to make an advertisement based on Punch and shared to its social channels. In it, a stuffed monkey holds the orangutan while real monkeys appear in the background. The copy reads, Sometimes, family is who we find along the way. It then refers to the stuffed toy as Punchs comfort orangutan. View this post on Instagram Fast Company has reached out to Ikea for more information on the retailer’s orangutan soft toy sales. We will update this post if we hear back. Meanwhile, a new video appears to show Punch having made some progress with his fellow monkeys. But the young creature has already reached the same status as its fellow infamous animals like Moo Deng, the pygmy hippo.
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Yet another powerful person has stepped down after being named in the Epstein files. Brge Brende, president and CEO of the World Economic Forum (WEF), best known for hosting an annual summit of world leaders in Davos, Switzerland, has stepped down after an internal investigation into his ties to convicted sex offender Jeffrey Epstein. In a statement released Thursday, Brende announced that after eight years in his role, hed be resigning in the wake of the latest batch of files released from the federal investigation into Epstein. I am grateful for the incredible collaboration with my colleagues, partners, and constituents, and I believe now is the right moment for the Forum to continue its important work without distractions, Brende said. WEF co-chairs André Hoffmann and Larry Fink also released a statement on behalf of the Board of Trustees, thanking Brende for his years of service and respecting his choice to step down. His dedication and leadership have been instrumental during a pivotal period of reforms for the organization, leading to a successful annual meeting in Davos, they said. They also noted that the WEFs investigation into Brende found no additional concerns beyond what has been previously disclosed. Though Brende had previously claimed he was completely unaware of [Epsteins] criminal acts and past in statements to the Norwegian media, the newly released collection of Epstein files tell a different story. Epstein and Brende stayed in contact long after Epstein was convicted of soliciting a minor for prostitution in 2008, with messages between the two continuing through at least mid-2019, just months before Epstein died in jail. In one text exchange, Epstein appears to have sent Brende a letter by his lawyers that was published in the The New York Times, which included the claim, The number of young women involved in the investigation has been vastly exaggerated. Brende replied to the letter with a thumbs-up emoji. Brendes resignation comes less than a year after the last shakeup at the WEF. In April 2025, founder Klaus Schwab stepped down as chair of its board, and a month later in May, the board opened an investigation into Schwab after an anonymous letter accused him of misusing funds and making inappropriate comments toward women. Between the two scandals, the WEFs reputation as a mecca for world leaders has taken a massive hit. In Brendes absence, the WEFs managing director Alois Zwinggi will serve as interim president and CEO. Brende is far from the only executive to step down after appearing in the Epstein files. Since the newest batch of files released on January 30, business leaders including Hollywood agent Casey Wasserman and former general counsel for Goldman Sachs Kathryn Ruemmler have resigned from their positions, while political figures including Britain’s Andrew Mountbatten-Windsor, formerly known as Prince Andrew, and Peter Mandelson, the countrys ambassador to Washington, have been arrested for their ties to Epstein.
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Everyone who has tried to code with Anthropic’s Claude Code AI agents runs into the same usability problem: If you run two or three concurrent artificial intelligence sessionssay, one rewriting your server code, another generating tests, a third doing background researchyou are forced to manually hunt through separate terminal tabs, each one generating a relentless stream of machine-readable log entries, just to figure out what each program is actually doing at any given moment. Not only is it hard to follow whats really going on, but not checking constantly can also lead to problems, as agents might stop to ask you something and you wont notice it for minutes or hours. Developer Pablo De Lucca thought there had to be another way: What if you could create a control panel and alert system that bridges the AI coding agents with your brain in an intuitive way, allowing you to control at a glance whats going on? Thats how Pixel Agents was born.Pixel Agents is an extension that runs inside Visual Studio Code, the most popular code editor on the planet. If you have no idea what Im talking about, thats okay. The important thing to know here is that the UX of agentic coding could someday soon look a lot different.While it looks like an adorable 8-bit video game, Pixel Agents is not something you can play. Rather, it transforms the user experience of coding with Anthropic’s Claude Code agentic AIs by turning them into sprite characters who live, work, and interact in an office doing your bidding.The extension draws directly from the language of video games because its something everyone understands. “I envision a future where agent-based user interfaces resemble a video game more than a traditional IDE, he said in the Reddit thread introducing his tool. Projects like AI Town have demonstrated the appeal of visualizing agents as characters within a tangible space, which I find much more engaging than just viewing endless lines of terminal text.”[Image: Pixel Agents]How Pixel Agents worksThe extension achieves this transformation by acting as a silent observer. Think of Anthropic’s Claude Code as a worker who keeps a detailed, timestamped diary of every action it takes: every file it opens, every command it runs, every moment it waits. These diaries are stored in a format called JSONL transcript files, essentially a structured log that records the machine’s activity in real time. Pixel Agents reads these logs continuously, without touching or modifying Claude Code itself, and uses the entries as triggers to update the state of the corresponding character, animating them on screen and making them talk using speech bubbles when needed.Developers can customize the virtual office where these characters live to better suit their needs. A built-in layout editor lets them design their own workspace on a grid that can be expanded to up to 64 by 64 tiles, with furniture, walls, and floors arranged to taste. Then, each concurrent Claude Code session spawns one of six distinct animated pixel art character designs into that space. The layout persists across VS Code windows so the office retains its configuration between work sessions. The result is a spatial map of your entire active workload.“Each character moves around, takes a seat at a desk, and visually represents the actions of the agent, De Lucca describes on Reddit. For instance, when coding, the character types; when searching for files, it appears to read; and if it’s waiting for input, a speech bubble appears.[Source Image: Pixel Agents]Love them bubblesOne of the most persistent frustrations in AI-assisted development is the blocked agent. That’s when a program that has paused its work to request human authorization (for example, permission to execute a potentially destructive system command) sits completely idle. It’s usually invisible inside a minimized terminal tab until the developer happens to notice it. Pixel Agents converts that invisible pause into a visual and audio event: an amber bubble over the character’s head, with an optional sound notification.The extension also tackles a second, subtler problem: the spawning of sub-agents. Modern AI coding tools routinely break large tasks into smaller pieces, launching temporary child processes to handle discrete sub-problems before terminating. In a text terminal, the birth and death of these ephemeral processes is nearly invisible and cognitively taxing to follow. Inside the Pixel Agents office, each sub-agent physically materializes as a separate character visually linked to its parent, then disappears with a dedicated exit animation the moment its job is complete. De Lucca says that the sub-agents enter and exit with neat animations reminiscent of the Matrix. That way, the workload hierarchy becomes something you can see rather than something you have to infer from logs.The extension is free but the furniture and office tile graphics come from a commercial asset pack called Office Interior Tileset (16×16) by an artist named Donarg, which is available on itch.io for $2. De Lucca has publicly called for community contributions of public domain art assets to fully open and extend the visual ecosystem.Hopefully people will contribute. Pixel Agents is one of those happy ideas that solve a real problem in a fun way, making the invisible visible and turning the annoying into entertainment. Translating the abstract, parallel labor of multiple autonomous machines into a spatial, ambient picture that a human brain can monitor at a glance is definitely something to admire. Whether that constitutes the beginning of a broader shift in how we design interfaces for AI tools remains to be seen, but as a proof of concept, it is hard to argue with.
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