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Yesterday, after the stock markets closing bell, Nvidia Corporation (Nasdaq: NVDA) reported its Q3 2026 financials. Investors were eagerly anticipating the results, as the company is widely seen as a bellwether for the broader artificial intelligence market. Nvidias Q3 results were all the more anticipated as fears over an AI bubble have grown in recent months. But those fears seem to be put to bed, at least temporarily. Nvidia didnt just meet expectations. It beat them. As a result, Nvidias stock price is jumping in premarket trading todayand it’s helping lift the stock prices of most other chipmakers and Big Tech giants. Heres what you need to know. Nvidias Q3 results lift NVDAs stock price Yesterday, Nvidia reported Q3 results that beat expectations. This includes revenue of $57.01 billion and an adjusted earnings per share (EPS) of $1.30. As noted by CNBC, LSEG analysts had expected Nvidia to post $54.92 billion in revenue and an adjusted EPS of $1.25. But it wasnt just these all-important beats that investors are celebrating. Nvidia also said it expects revenue in its current Q4 to reach around $65 billion. Analysts had been expecting around $62 billion. Further, Nvidia CEO Jensen Huang started off the companys financial call addressing fears about an AI bubble head-on. Theres been a lot of talk about an AI bubble, Huang said. But from our vantage point, were seeing something very different. He went on to detail three broad technological transitions, which he says are driving the AI industry. As a result of the good news, Nvidia shares are jumping in premarket trading this morning, as of the time of this writing. Currently, NVDA shares are up nearly 5% to almost $196 per share. Yesterday, NVDA shares closed up 2.85% to 186.52. But over the past five-day period, NVDA shares had sunk 3.76% as fears of an AI bubble grew. However, based on Nvidias stock price this morning, the companys quarterly results and forecast have allayed investors’ fears. And Nvidias stock price isnt the only one that is rising. Chipmaking stocks jump after Nvidias earnings beat Nvidia is a sort of bellwether for chipmaker stocks. If Nvidia is doing well or, more importantly, forecasting growth, many investors believe that growth potential could favorably affect other chipmaker stocks and the stock prices of the companies that those chipmakers rely on. And today, it appears Nvidia is indeed having a rising tide lifts all boats effect on broader chip stocks. As of this writing, major chipmakers and chip-adjacent companies are seeing their stock prices rise in premarket, including: Advanced Micro Devices, Inc. (Nasdaq: AMD): up 4.3% Arm Holdings plc (Nasdaq: ARM): up 3.3% Broadcom Inc. (Nasdaq: AVGO):up 2.8% Intel Corporation (Nasdaq: INTC): up 1.8% Micron Technology, Inc. (Nasdaq: MU):up 2.3% NVIDIA Corporation (Nasdaq: NVDA): up 6% QUALCOMM Incorporated (Nasdaq: QCOM):up 0.8% Taiwan Semiconductor Manufacturing Company Limited (NYSE: TSM):up 2.5% Big Tech shares are also rising after Nvidias earnings It’s not just chip stocks that are getting a lift after Nvidias earnings. As Nvidia is grouped in with the Magnificent Seven, its positive earnings often help lift the share prices of other tech giants, many of whom are deeply invested in the AI space. As of the time of this writing, those other tech giants are also seeing green in premarket trading, including: Alphabet Inc. (Nasdaq: GOOG):up 1.9% Amazon.com, Inc. (Nasdaq: AMZN): up 1.6% Apple Inc. (Nasdaq: AAPL):up 0.4% Meta Platforms, Inc. (Nasdaq: META): up 1.2% Microsoft Corporation (Nasdaq: MSFT): up 1% Tesla, Inc. (Nasdaq: TSLA): up 1.9% Of course, while investors are cheering Nvidias earnings beat this morning, plenty of industry watchers still have fears that an AI bubble could be upon us. For now, Wall Street appears happy to put those fears on the back burnerat least until Nvidias fourth-quarter earnings approach in another three months.
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E-Commerce
In a world where AI can churn out chart-toppers in seconds and ticketing algorithms treat fans like data points, we risk losing the soul of live music. But a quiet countermovement is making a comeback right in peoples living rooms, backyards and basements. Once the gritty domain of garage bands and DIY punks, house shows are becoming a structured, sustainable model for music communities embraced by a myriad of musical genres and accessible to all ages. House shows arent just an indie throwback. They serve as a blueprint for re-humanizing music and sustainable artist development, and cities should treat them as civic infrastructure. Today, fans crave authentic, offline experiences. In Huntsville, Alabama, were betting big on this grassroots phenomenon, not as nostalgia, but as a future-proof cultural strategy meant to empower emerging artists, foster authentic human connection and fill gaps that traditional venues cant. THE HISTORY OF THE HOUSE SHOW Van Halens first gigs were at backyard keg parties in California. Hoobastank, Incubus and Linkin Park formed the alternative rock sound of the early 2000s in their parents garages. But what defines a house show? A house show is first and foremost grounded in a sense of community. Often, a local band or willing host offers up their home to community members for an intimate musical performance. Artists and hosts run the full show, from tickets and gear to promotion, gaining skills theyd never get in a traditional venue. In 2025, major acts like the All-American Rejects and Machine Gun Kelly are embracing the format. Beyond big-name acts, artists all over the world are curating experiences where audiences can witness the next big thing up close, all while creating connections across demographics. Families, young fans and seasoned music lovers can gather in intimate, inclusive spaces. Take Common Man, a Huntsville-based husband-wife duo who are now touring the U.S. but remain fiercely dedicated to their community. Now dubbed Common House, Common Man members, Meredith and Compton Johnson, transformed the basement of their home into a live music venue. The duo has not only used house shows to launch their own exposure but also to provide other touring musicians and artists in the community with a platform to perform and reach new audiences in an inclusive environment. Recently, theyve taken their house show model global and performed at homes throughout Scotland. And theyre not aloneHuntsvilles house show scene also includes Boardman House, another grassroots venue making space for live music. THE CIVIC BET ON THE LIVING ROOM Cities shouldnt just invest in amphitheaters. They should also invest in cultural infrastructure at the neighborhood level to create intimate, fan-focused environments where artists are in more control of their concert experiences and show revenues, in the venues where careers are born and communities are formed. When cities support smaller venues, theyre offering benefits traditional venues and platforms cant. For example, were: Helping with business and/or LLC formation for liability protection. Advising on ticketing and professional sound and lighting. Guiding artists through compliance with sound ordinances and neighborhood approvals. Prioritizing artist pay and sustainability. Cities often prioritize large or mid-sized venues due to their significant economic impact. House shows fill a different and equally vital gap. They empower artists to control ticket prices and profit margins, bypassing bar-sales-driven venue models. They create peer networking opportunities and act as incubators for emerging talent, offering artists the chance to book, promote and manage shows on a small scale, thereby building skills that can scale to larger venues. Most importantly, house shows democratize music, embedding it in communities instead of keeping it behind ticketing paywalls. In short, they rebalance the live music economy. THE REAL-LIFE ANTIDOTE TO AI In an age where AI-generated bands with entire albums have millions of streams and AI-enhanced performances of deceased artists are gaining popularity, ethical questions are being raised about authenticity and creative displacement. House shows deliver what algorithms cannot: shared human connection, local community and unpredictable magic in the room. Huntsville frames house shows not as nostalgia, but as a future-proof strategy for live music ecosystems. House shows arent replacing arenas or amphitheaters; instead, they complement them, with a thriving layer of hyperlocal, artist-first experiences. House shows are a missing piece of the live music ecosystem, and Huntsville is proving that cities can invest in culture not just from the top down, but from the living room up. As AI reshapes how music is made and consumed and fans crave authentic, in-person experiences, these intimate gatherings remind us that the real reasons we gravitate towards music are innately human and communal. Matt Mandrella is the music officer for the city of Huntsville, Alabama.
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E-Commerce
New York City scaffolding is so commonplace it has become a kind of extra architectural skin covering the city. It’s estimated that there are more than 9,000 of these “construction sheds” (another term for scaffolding) installed across the city, enough to stretch nearly 400 miles if they were put end to end. They do the important work of shielding pedestrians from potential falling debris during building construction and renovation projects, but they also shroud large swaths of sidewalk in dark and cloistered tunnels made of an unfortunate jumble of steel poles and plywood. Construction scaffolding is the city’s ubiquitous, utilitarian, and mostly unpleasant necessary evil. And now, a new effort aims to rethink their form with a series of new, more appealing designs. Six new designs for scaffolding have just been announced by New York City’s Department of Buildings, and they replace the dark and convoluted sheds of today with bright, airy, and open versions. The new scaffolding designs come from two design teams led by the New York-based architecture and urban design firm Practice for Architecture and Urbanism (PAU) and the global design and engineering firm Arup. Simplified and minimal, each of the six designs turns the workaday construction shed into a more open and accessible add-on to the built environment. [Image: PAU] Time for a makeover The new designs are a result of the “Get Sheds Down” initiative, an effort launched by the city in 2023 to update the look of construction sheds and revise the rules and regulations that govern when and where they’re used. The sheds currently in use in New Yorkand many other citieshave been largely unchanged since the 1980s. Usually hunter green and made up of a kit of parts consisting largely of steel poles and plywood, the current shed system is a boxy shield, but it’s also an obstacle for people moving down sidewalks, entering buildings, or getting in and out of vehicles on the street. After a public bidding process, the city hired two design teams led by PAU and Arup to reimagine the shed. They were asked to create six designs for alternative sheds that maintain public safety while also improving the pedestrian experience, beautifying the streetscape, and keeping the cost of installing sheds reasonable for building owners. [Image: PAU] PAU’s three designs use a slanted form, a transparent roof, and a streamlined kit of structural parts to make a much more open and airy shed. “We were very focused on the pedestrian experience,” says Vishaan Chakrabarti, founder of PAU. “The slanted design lets more light and air in. It’s a very simple thing.” Just as important, Chakrabarti says, was the elimination of the cross bracing between columns, X-shaped metal poles that act almost like walls on the existing sheds. PAU’s design makes each column stronger so that only one horizontal beam is needed to connect them. [Image: PAU] The baseline version of the shed uses this configuration with a transparent roof. A large version can be used for bigger buildings and broader sidewalks with more widely spaced structural columns that double up to provide more strength. And for smaller-scale projects or emergency installations, PAU has designed a version that uses a high-strength netting on its slanted side, offering safety and a nearly clear view to the sky above. A new take on an old form Arup’s three designs also bring in noticeably more light than the existing shed system, while also offering variability for the different conditions found across the city. One design, named the Rigid Shed, uses a grid-based structural system with prefabricated connection nodes, minimizing materials and connections during assembly. [Image: Arup] Another design, the Flex Shed, has a similar grid approach but with an even simpler set of posts and beams that can be adjusted in three dimensions to accommodate things like street trees, fire escapes, and the dozens of types of street furniture and infrastructure that exists on city sidewalks. Maybe the most elegant of ll the six solutions, the Air Shed is a balcony-like cantilever that only anchors to the sidewalk at points alongside the building. Rather than creating a tunnel people have to traverse, it forms a thin canopy overhead that some people might not even notice. [Image: Arup] “The inspiration for the Air Shed is essentially a wall-mounted shelving system,” says Seth Wolfe, a principal at Arup. Arup has been working on these ideas for more than a decade. The firm first got involved back in 2009 when it partnered with the architecture firm KNE Studio on a submission to another city-led shed redesign effort. KNE Studio’s design was a finalist in that design competition, and the two firms remained in contact and continued to work on new shed designs in conjunction with the shed installing company Core Scaffolding. When the Get Sheds Down initiative launched, the team was primed to participate. “We had momentum going into the RFP,” says Kevin Erickson of KNE Studio. “We had stuff cooking on the backburner.” The six new designs resulting from the “Get Sheds Down” initiative join a range of scaffolding types in use in cities around the world, with a range of materials and price points. The winner of New York City’s 2009 shed design competition, Urban Umbrella, is now a provider of upscale sheds across the city. Simpler approaches are also in use. Chakrabarti notes that scaffolding in Hong Kong is still made from bamboo. He even suggested early on in the Get Sheds Down process that maybe that wouldn’t be such a bad idea in New York. “I actually asked the question,” he says. “I got laughed at.” New York City’s Department of Buildings is now working with PAU and Arup to make the designs available for public use by builders and contractors doing construction and renovation work on buildings across the city. Next, each of the new designs will be made into mockups that can be evaluated and tested. Some of these new shed designs could begin appearing at building sites and on city sidewalks before the end of 2026. The six new designs add to what Chakrabarti calls a “menu” of options for builders in the city, some of whom may still opt to use the existing system. He says providing more choice is a way to achieve the main goal of the initiative, which is to improve the experience of people in New York City who will inevitably encounter construction sheds. “You can use a Lego set to build an ugly thing, or you can use a Lego set to build a beautiful thing,” Chakrabarti says. “But the first thing you’ve got to do is understand the Lego set.”
Category:
E-Commerce
Here’s the thing about Wellington boots: They’re great when it’s raining, because they keep your toes dry and toasty. But when the rain stops, you feel a little silly stomping around in heavy rubber boots. But what if your rain boots looked like any other fashion-forward boot you’d be comfortable wearing rain or shine? What if they looked like, say, a classic pair of Dr. Martens? I have good news. Dr. Martens has designed a rain boot that mimics one of its most iconic designs, the 1460 eight-hole lace-up boot, which first came to market in 1960. It has a lot of the hallmarks of a Dr. Martens boot, like the heel tab for easy pull-on, the grooved sole, and even the stitching. What’s different though, is that each component is waterproof, ensuring that your feet will stay dry in puddles and downpours. “You style this boot just like you would any other Dr. Martens,” says Adam Meek, Dr. Martens’ chief product officer. “You could wear them to a festival, or a night out on the town.” The original 1460 (left) and the 1460 Rain (right) [Photo: Dr. Martens] The Comfort Boot That Became A Sensation Dr. Martens was originally founded by a German doctor, Klaus Martens, in the postwar years. At the time, most boots were made from hard leather and provided very little arch support. After he hurt his ankle in a skiing accident, he began tinkering with the design of a new kind of boot made from softer leather with soles that had air pockets that provided cushioning and bounce. This distinct insole was later branded “Airwair” and has been incorporated into the Dr. Martens logo. The shoes he prototyped were so comfortable that he decided to sell them for 2 (68.31 or $90 in today’s money). Within five years, the brand was selling so many shoes that Martens decided to open his own factory and sell them globally. In 1960, the brand launched the 1460, a lace-up boot distinctive yellow stitching and a pull tab, which went on to become the brand’s best-selling style, and continues to be popular today. [Photo: Dr. Martens] Dr. Martens shoes immediately took off with working class people who needed durable, comfortable everyday shoes. They were quickly adopted by postal and factory workers. But as the brand entered the ’60s and ’70s, it became popular with youth subcultures, including mods, punks, goths, new wave musicians, and hippies. And today, Meek says the brand continues to have a very wide range of customers. Last year, the brand generated 787.6 ($1.03 billion) in global revenue, which was a 10% dip from the year before, partly due to the overall slow down in the U.S. market. “From a design perspective, we stick very closely to the brand’s original design principles, which are grounded in simplicity and comfort,” he says. “But that has allowed for enormous versatility, and allows people to use it as a vehicle for self-expression. We sell boots to young people trying to make a statement, and older people just looking for comfort.” [Photo: Dr. Martens] Designing a Rain Boot That Doesn’t Look Like One While many Dr. Martens fans wear their boots out in inclement weather, since many styles are fairly water-resistant, the brand hasn’t designed many truly waterproof boots in its 78-year history. To design the new 1460 rain boot, Meek went back to the brand’s archive, and found boots that the original Dr. Marten designed before he even launched his brand. He found one that was waterproof, but did not have the silhouette of the Wellington boot, which has become the de facto rain boot design of our time. This inspired the team to think about how to reinvent the rain boot to look more like a traditional Dr Martens boot. “It was obvious there was a need for more rain boots,” he says. “Extreme weather means that it is becoming wetter in many parts of the world. We wanted to create a versatile boot that stayed true to the brand.” [Photo: Dr. Martens] The team took the structure of the 1460 boot, but tried to make it fully waterproof. The boot is made from PVC plastic. All elements that would let water seep in have been eliminated, such as laces. And while there appears to be stitching around the heel, these are actually faux stitches: The heel is actually heat sealed to the upper using Goodyear Welting technology used to make tires. And the sole features that same comfy AirWair technology. [Photo: Dr. Martens] Fashioning for Durability For the original working class people who embraced Dr Martens, it was important that the boots were durable, because they didn’t have a lot of disposable income to frequently replace footwear. Meek says that that durability continues to be an important design principle. Most boots within the brand’s catalog are designed so they can be easily resoled by slicing off the sole with a heated knife, and sewing on a new one. In fact, the brand has a resale site where customers can send in old boots, which will be resoled and then resold. The company is in the early stages of developing a system that will allow customers to send in their old shoes to be refurbished so they can hold onto them for longer. [Photo: Dr. Martens] These rain boots have been designed along the same principles. They’re made from heavy-duty materials that will live up to years of inclement weather, and eventually, when the sole wears out, it will be possible to replace them with a welting process. For Meek, this is important because this encourages more environmentally friendly behavior. “We approach sustainability through longevity,” he says. “I like to think of our products as something you can hand down to a family member, along with all the stories they carry.”
Category:
E-Commerce
Timothée Chalamet just posted an 18-minute-long video to his Instagram to promote his upcoming A24 film, Marty Supreme. It might be his best role yet. In the video, Chalametsporting a bright yellow tank top, buzz cut, and dainty necklacejoins a Zoom call full of supposed marketing executives who will be leading the promotional campaign ahead of the film’s release on December 25. After awkward introductions, Chalamet proceeds to fill up the meetings airtime with increasingly ridiculous suggestions for the films marketing efforts, leaving the eight other members of the call scrambling to accommodate his wild ideas. On A24s YouTube channel, where the video is posted under the title Timothee_Chalamet_internal_brand_marketing_meeting_MartySupreme, its gained almost 100,000 views. And on Chalamets personal Instagram, its been watched almost 10 million times. The campaign, which is a parody of an actual marketing meeting, sees Chalamet fully commit to the part of snobbish actor with no regard for his coworkersand clearly, its resonating. The meta concept sticks the landing by balancing absurdist humor with an uncanny eye for the moments that make our digital workplaces just a little bit universally awkward. An absurd ad campaign you just might buy into Marty Supreme, directed by Josh Safdie, is a sports-comedy film loosely based on the life of American ping-pong player Marty Reisman. The most information that we have about the film thus far comes from A24s official trailer, released on November 11, in which Chalamet embodies a version of Marty whos brash, determined, and extremely self-confident. Those characteristics come out in full force through the new Marty Supreme ad, which plays like a surrealist comedy of errors about how not to behave in a Zoom meeting. Less than two minutes into the call, Chalamet has already taken control of the meeting, explaining that his philosophy for the movies marketing is led by three principles: culmination, “integration,” and fruitionizing” (which he admits is not a real word). Things only get weirder from there. First, Chalamet suggests that his character, Marty Supreme, appear on boxes of Wheaties cereal. Then he gears up to introduce something his creative director has been working on for six months, only to reveal a single orange color swatch. Finally, he escalates to suggesting that Marty Supremes marketing should include a fleet of blimps, an activation at the Statue of Liberty, and an orange Eiffel Tower. [Poster Image: A24] As Chalamets ideas get more and more grand, the other people on the call are forced to keep a straight face. Its a particular genre of humor that plays unbelievable absurdity against the everyman, a concept thats seen success in shows like Nathan for You, The Rehearsal, and I Think You Should Leave. Subtly skewering Zoom meetings for the sake of cinema Where the new Marty Supreme ad really shines, though, is in its subtle dissection of the awkward Zoom call, an experience that almost every remote worker suffered through during the pandemic. From the painfully long introduction sequence to the clunky shift to screen sharing (during which Chalamet reveals a computer background of himself receiving an award), constant interruptions, and sprinklings of corporate-speak, every beat feels like a truly torturous meeting. While it’s unclear exactly why A24 chose to advertise Marty Supreme through advertising parody (considering that it’s a movie that doesn’t seem to have anything to do with the marketing world), the video does seem particularly geared toward an online audience of young Chalamet fans. By balancing the ridiculous with the real, the ad strikes a relatable note thats perfectly suited to attracting modern viewers. i feel like I am an imposter in a professional zoom meeting, one Instagram user wrote under the video. i know this is supposed to be a joke, but I’ve been in a lot of entertainment marketing meetings, they are exactly like this, another fan wrote on YouTube. Some may argue that Dune or Call Me by Your Name represent Chalamets best work. Marketers everywhere know its Timothee_Chalamet_internal_brand_marketing_meeting_MartySupreme.
Category:
E-Commerce
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