Cellphones are everywhereincluding, until recently, in schools.
Since 2023, 29 states, including New York, Vermont, Florida, and Texas, have passed laws that require K-12 public schools to enforce bans or strict limits on students using their cellphones on campus.
Another 10 states have passed other measures that require local school districts to take some kind of action on cellphone usage.
Approximately 77% of public schools now forbid students from having their phones out during classan increase from the 66% of schools that forbade students from using phones at school in 2015.
Schools across the country are finding different ways to enforce no-phone policies. Some schools have students lock their phones in pouches that only open at the end of the day. Others use simple classroom bins or lockers.
Some research shows that spending a lot of time looking at phones instead of peoples faces can make it harder for children and teenagers to get the basic human skills they need for developing and maintaining friendships and other relationships.
As a scholar of educational leadership, I believe that school is about more than just classesits where young people learn how to get along with others. When phones are put away, students actually start looking at each other and talking again. School hallways and the lunchroom turn into spaces where students learn to resolve conflicts face-to-face and make human connections.
Putting phones away in Ohio
Ohio is an example of a state that has clamped down on students cellphone usage over the past 18 months.
In May 2024, Ohio went from suggesting some cellphone guidelines for different schools to adopt to requiring that all public districts limit students phone use during class. School districts could choose to allow phones at lunch or between classes.
Many schools began using lockable pouches, plastic bins, or lockers to keep phones out of sight. They still needed to allow some students to have phones for medical reasons, like monitoring blood sugar on an app.
Ohio then adopted an even stricter cellphone use policy in 2025. This new law required all Ohio public school boards to adopt policies by Jan. 1, 2026, that prohibit phone use during the entire school day, including lunch and the time between classes.
A needed break
In the fall of 2025, I surveyed 13 Ohio public school principals from rural, urban, and suburban districts. Principals reported that the partial phone bans increased students social interactions and reduced peer conflicts:
62% of principals described more verbal, face-to-face socializing during recess, at lunch time, and between classes.
68% noted that students can stay on one task for more than 20 minutes without seeking a quick digital break.
72% observed a shift from heads-down scrolling to active conversation in common areas such as the cafeteria.
61% reported fewer online social conflicts spilling over into the classroom.
A tension for students
In late January 2026, I also surveyed and spoke with 18 Ohio high school students about the new phone bans in place at their schools as part of research that has not yet been published.
Their responses revealed a complex tension between understanding the need for the phone ban and feeling a significant loss of personal safety and autonomy.
A few students said they felt safe knowing a phone in the main office is available for emergencies.
Some students said they felt anxious about not being reachable if there is an emergencylike if a relative were in an accident, or if the younger siblings they care for required their help.
Finally, 13 out of 18 students argued that they should be learning the self-discipline required to balance technology with focus. Students said that phone bans made them feel as though they were children who could not make responsible decisionsrather than young adults preparing for professional environments.
Some students also said that not having their phones made it impossible to fill out college and scholarship applications during the school day, since many application systems require multifactor authentication and require phones to log in.
Lessons from Ohio
Rules are more likely to be respected when students feel they have a voice in the boundaries that affect their daily lives. I think that school leaders could address students safety and security concerns in different ways, including by establishing a dedicated family emergency hotline that people can call.
Principals could designate supervised areas where more senior high school students can briefly use their phones for multifactor authentication. School leaders could also offer a specific time window for students to check messages on their phones, or an easy way for the schools main office to deliver them messages from family.
While these insights from Ohio students and principals offer a helpful starting point, they are just one part of a much larger conversation.
More research is needed to see how these bans affect different types of schools and communities across multiple states. Because every district is different, what works in one town might cause unexpected challenges in another. By continuing to study these effects and listening to everyone involved, especially the students, researchers like myself can figure out how to keep classrooms focused and students interacting without making students feel less safe or less prepared for the adult world.
Corinne Brion is an associate professor in educational administration at the University of Dayton.
This article is republished from The Conversation under a Creative Commons license. Read the original article.
The logic behind electric vehicles benefiting public health has long been solid: More EVs means fewer internal combustion engines on the road, and a reduction in harmful tailpipe emissions. But now researchers have confirmed, to the greatest extent yet, that this is indeed whats actually happening on the ground. Whats more, they found that even relatively small upticks in EV adoption can have a measurably positive impact on a community.
Whereas previous work has largely been based on modeling, a study published this month in the journal Lancet Planetary Health used satellites to measure actual emissions. The study, conducted between 2019 and 2023, focused on California, which has among the highest rates of EV use in the country, and nitrogen dioxide, one of the gases released during combustion, including when fossil fuels are burned. Exposure to the pollutant can contribute to heart and lung issues, or even premature death. Across nearly 1,700 ZIP codes, the analysis showed that, for every increase of 200 electric vehicles, nitrogen dioxide emissions decreased by 1.1 percent.
A pretty small addition of cars at the ZIP code level led to a decline in air pollution, said Sandrah Eckel, a public health professor at the University of Southern Californias Keck School of Medicine and lead author of the study. Its remarkable.
The group had tried to establish this link using Environmental Protection Agency air monitors before, but because there are only about 100 of them in California, the results werent statistically significant. The data also were from 2013 through 2019, when there were fewer electric vehicles on the road. Although the satellite instrument they ultimately used only detected nitrogen dioxide, it did allow researchers to gather data for virtually the entire state, and this time the findings were clear.
Its making a real difference in our neighborhoods, said Eckel, who said a methodology like theirs could be used anywhere in the world. The advent of such powerful satellites allows scientists to look at other sources of emissions, such as factories or homes, too. Its a revolutionary approach.
Mary Johnson, who researches environmental health at Harvard Universitys T.H. Chan School of Public Health and was not involved in the study, said shes not aware of a similar study of this size, or one that uses satellite data so extensively. Their analysis seems sound, she said, noting that the authors controlled for variables such as the COVID-19 pandemic and shifts toward working from home.
The results, Johnson added, totally make sense and align with other research in this area. When London implemented congestion pricing in 2003, for example, it reduced traffic and emissions and increased life expectancy. That is the direction this latest research could go too. They didnt take the next step and look at health data, she said, which I think would be interesting.Daniel Horton, who leads Northwestern Universitys climate change research group, also sees value in this latest work. The results help to confirm the sort of predictions that numerical air quality modelers have been making for the past decade, he said, adding that it could also lay the foundation for similar research. This proof of concept paper is a great start and augurs good things to come.Eckel hopes that, eventually, advances in satellite technology will allow for more widespread detection of other types of emissions too, such as fine particulate matter. That could even help account for some of the potential downsides of EVs, which are heavier and could therefore kick up more tire or brake dust than their gasoline counterparts. On the whole, though, she believes the picture overwhelmingly illustrates how driving an electric car is better not just for the planet but for people.
Research like this, she says, underscores the importance of continued EV adoption, the sales of which have slumped recently, and the need to do so equitably. Although lower-income neighborhoods have historically borne the brunt of pollution from highways and traffic, they cant always afford the relatively high cost of EVs. Eckel hopes that research like this can help guide policymakers.
There are concerns that some of the communities that really stand to benefit the most from reductions in air pollution are also some of the communities that are really at risk of being left behind in the transition, she said. Previous research has shown that EVs could alleviate harms such as asthma in children, and detailed data like this latest study can help highlight both where more work needs to be done and whats working.
Its really exciting that we were able to show that there were these measurable improvements in the air that were all breathing, she said. Another arguably hopeful finding was that the median increase in electric vehicle usage during the study was 272 per ZIP code.
That, Eckel says, means there is plenty of opportunity to make our air even cleaner.
Correction: This story originally misidentified the pollutant studied. It is nitrogen dioxide.
This article originally appeared in Grist.
Grist is a nonprofit, independent media organization dedicated to telling stories of climate solutions and a just future. Learn more at Grist.org
The European Union on Friday accused TikTok of breaching the bloc’s digital rules with “addictive design” features that lead to compulsive use by children, in preliminary charges that strike at the heart of the popular video sharing app’s operating model.EU regulators said their two-year investigation found that TikTok hasn’t done enough to assess how features such as autoplay and infinite scroll could harm the physical and mental health of users, including minors and “vulnerable adults.”The European Commission said it believes TikTok should change the “basic design” of its service. The commission is the EU’s executive arm and enforcer of the 27-nation bloc’s Digital Services Act, a sweeping rulebook that requires social media companies to clean up their platforms and protect users, under threat of hefty fines.TikTok denied the accusations.“The Commission’s preliminary findings present a categorically false and entirely meritless depiction of our platform, and we will take whatever steps are necessary to challenge these findings through every means available to us,” the company said in a statement.TikTok’s features including infinite scrolling, autoplay, push notifications, and highly personalized recommender systems “lead to the compulsive use of the app, especially for our kids, and this poses major risks to their mental health and wellbeing,” Commission spokesman Thomas Regnier said at a press briefing in Brussels.“The measures that TikTok has in place are simply not enough,” he said.The company now has a chance to defend itself and reply to the commission’s findings. Regnier said “if they don’t do this properly,” Brussels could issue a so-called non-compliance decision and possible fine worth up to 6% of the company’s total annual revenue. There was no deadline specified for the commission to make a final decision.The preliminary findings are the latest example of pressure that TikTok and other social media platforms are facing over youth addiction.Australia has banned social media for under-16s while governments in Spain, France, Britain,Denmark,Malaysia and Egypt want to introduce similar measures. In the U.S., TikTok last month settled a landmark social media addiction lawsuit while two other companies named in the suit Meta’s Instagram and Google’s YouTube still face claims that their platforms deliberately addict and harm children.TikTok has 170 million users in the European Union and “most of these are children,” Regnier said. He added that 7% of children aged 12 to 15 spend four to five hours daily on TikTok, and it’s “by far” the platform most used after midnight by children aged 13 to 18, citing unspecified data.“These statistics are extremely alarming,” he said.The commission said that TikTok fuels the urge to keep scrolling because it constantly rewards users with new content, leading to reduced self control.It said TikTok ignores signs that someone is compulsively using the app, such as the amount of time that minors spend on it at night, and how often the app is opened.The company has failed to put in place “reasonable, proportionate and effective” measures to offset the risks, it said.The commission said TikTok’s existing time management controls are easy to dismiss and “introduce limited friction,” while parental tools need “additional time and skills” from parents.Changes that the commission wants TikTok to make include disabling features like infinite scroll; putting in more effective breaks for screen time, including at night; and changing its “highly personalized” recommender system, which feeds users an endless stream of video shorts based on their preferences.TikTok says it has numerous tools, such as custom screen time limits and sleep reminders, that let users make “intentional decisions” about how they spend their time on the app. The company also noted it has teen accounts that let parents impose time limits on use, and prompt teen users to switch off in the evenings.
Associated Press journalist Sam McNeil contributed to this report.
Kelvin Chan, AP Business Writer
Just because youre an ultra-talented global celebrity doesnt mean youre a shoo-in for an amazing gig. In fact, even stars have to apply to jobs, just like the rest of us. Just ask Charlie Puth, wholl be singing The Star-Spangled Banner at Super Bowl LX Sunday night.
It shows how humility fuels success for even someone at the top of their gamein this case, a dream opportunity for one of pops biggest stars on entertainments biggest stage.
In a recent Rolling Stone interview, the We Dont Talk Anymore singer spoke frankly last month about how he applied and auditioned to sing the national anthem, and how hes elated for the gig.
He shared that performing the national anthem at the Super Bowl was a dream goal and seemed like he didnt expect any preferential treatment: I applied. I auditioned for it, but I made up my own audition because Ive always wanted to do it. He adds, because I love it musically, he told the magazine: Its the best song. Musically, its so special.”
“I actually have always wanted to do this, and I recorded a little demo, just me singing with the Rhodes and sent it to Roc Nation. Ive been told Jay-Z loved it, and it got Goodell and they all said that I could do it,” the 34-year-old said.
The New Jersey native is a prime example of how even high-achievers and applicants at the height of their industry audition or apply for jobs. Its that blend of humility and experience that can lead people to great things: Humility can be a very impressive personality trait, and the kind of authenticity that shows in Puths Rolling Stone answers is the kind that tells a hiring manager youre grateful for the opportunity, and communicates real passion. Theres even research to back up that humility is a trait that can make you a more desirable candidate for a job.
Puth kept that humility when talking about iconic Super Bowl performances from the past: “Im going to be inspired by what Whitney did, but I cant ever touch what she did, he told Rolling Stone. I just wanna show people that I can do it. I feel like people dont really think of me as, like, a stand-alone vocalist at times.
To channel your inner Charlie Puth humility, try these strategies:
Balance it with confidence: Thats especially the case for leaders. Have trust in your talents, but also be adaptable, empathetic, and open to learning from other people in your field.
Model it for others: Sometimes deciding to be a model of supportive collaboration, trustful integrity, and taking responsibility can bring out your inner humility, which others can in turn learn from and be inspired by.
Talk less about yourself: An easy way to unlock inner humility, this also helps you not compare yourself too much to others.
Another element of a professional business persona is not to respond negatively to those who arent happy with your achievements.
Puth responded with grace on X back in December after a snide social media post from a doubter. Striking a diplomatic tone, he wrote: Ill never claim to be as good of a singer as Whitney Houston ever was. But I assure you were putting a really special arrangement togetherin D major. Itll be one of my best vocal performances.
Design culture loves the fantasy of blue sky thinking. No constraints. No limits. Pure imagination. It sounds liberating, but it often produces design that only works in ideal conditions for an ideal user who does not exist. Blue sky leads to paper designgreat ideas that never come to market.
The truth is simple: Constraints fuel creativity. The most valuable constraint is the human one.
When designers embrace real limits like limited dexterity, low lighting, fatigue, mobility restrictions, sensory sensitivities, small living spaces, and tight budgets, they stop designing for abstraction. They start designing for reality. That is where innovation becomes inevitable. That is where design becomes a successful game changer in business strategy.
WHY CONSTRAINTS CREATE BETTER PRODUCTS
Constraints do powerful things.
First, they force clarity. When you cannot assume perfect vision, perfect grip, perfect posture, or perfect attention, you have to prioritize what truly matters.
Second, they reveal opportunity gaps. The friction points that average user personas miss become visible. Those friction points are where unmet demand lives.
Third, they raise the bar for usefulness. A product that performs under constraint often performs exceptionally well under normal conditions. That is why so many accessible innovations become mainstream.
THE EDGE IS WHERE THE BREAKTHROUGH BEGINS
Many of the features we now take for granted started as solutions for constrained conditions. Curb cuts were designed for wheelchairs, then they became indispensable for strollers, luggage, delivery carts, bikes, and scooters. Captions support deaf and hard of hearing communities, and they also help everyone in loud environments, quiet environments, and multilingual contexts.
This pattern is not accidental. Designing for the edge forces teams to solve for higher friction. Once solved, the benefit cascades outward.
A PRACTICAL CONSTRAINT FRAMEWORK
If you want constraints to generate innovation instead of frustration, treat them as design inputs early, not late-stage fixes.
Start with four questions:
1. What are the most common constraints in the users environment? Noise, glare, cold, clutter, time pressure.
2. What are the most common constraints in the users body? Dexterity, strength, mobility, stamina.
3. What are the most common constraints in the users mind? Cognitive load, stress, distraction, ambiguity.
4. What emotional constraints does the user bring with them? Fear of making mistakes, embarrassment, loss of confidence, and the desire for dignity, capability, and control.
When those four constraints are treated as defaults, products stop proving they work and start proving they care. That shift is what separates good design from beloved products. Design as if those constraints are the default, not the exception. For every body, they are, or become, the default at different times and phases of life.
THE DIFFERENCE BETWEEN WORKS AND WORKS WELL
A product can technically work yet still fail. It can be compliant, yet frustrating. It can be usable, yet unloved. It can function, but make people feel like there is something wrong with them. Constraints help solve that gap because they push the product beyond minimum viability and toward genuine excellence.
When you design under constraint, you make fewer assumptions. You write clearer cues into the form. You reduce steps. You decrease error. You create comfort. You remove shame. You build trust.
CONSTRAINTS ARE NOT A LIMITATIONTHEY ARE THE BRIEF
The brands that lead next will not be those chasing novelty for noveltys sake. They will be the ones willing to design inside real human boundaries and treat those boundaries as creative partners. Inclusion is not a constraint layered on top of design. It is the constraint that makes design better. When you stop trying to escape limits, you start making products that people can actually live with, love, and keep.
Ben Wintner is CEO of Michael Graves Design.
Over the years, Ive written and spoken extensively about my belief that design has the power to change the world. I find daily inspiration in the many individuals and organizations leaning away from design as pure aesthetics and embracing design as a powerful tool for promoting the wellbeing of both people and the planet.
I refer to wellbeing as holistic health. It includes holistic health of the people: end usersthose using the products, and makerssuppliers, producers, and manufacturers. Also, of the planet, because no design is isolated; it is always dependent on and embedded in systems. Our choices have far-reaching impact. Upstream decisions about a designs materials, energy, and water requirements for manufacturing and operations, and end of life, for example, matter as much as the final form or user interface. For a design to truly promote wellbeing, all aspects across supply chain and user behavior must consider the physical, psychological, and environmental wellbeing of all stakeholderspeople and planet alike.
We are at a critical moment in human history, and organizations must go beyond business as usual to design products and systems that are deeply, truly ethical. In my work over three decades, Ive spoken continuously about this with leading voices in business, science, technology, innovation, and design who are championing this shift toward responsibility and integrity. Here, I want to share some of the insights Ive gained on how design can actively support wellbeingmaintaining beauty, while also promoting justice.
FORM FOLLOWS FEELING
In season 7, episode 10 of my podcast, FUTURE OF XYZ, I hosted Suchi Reddy, founder of Reddymade, an architecture, design, and public art studio based in New York City. We continued our conversation on a panel during Archtober on the topic of designing for wellbeing.
Suchi is an expert on neuroaesthetics, the study of how art, architecture, and design affect the brain and body. Renowned for design that utilizes principles of neuroaesthetics, Suchis practice emphasizes how environments influence our emotional and physiological states. When designers tap into that, they are able to create spaces and objects that are not only beautiful, but profoundly enriching to users lives.
Rather than imposing a predetermined style, Suchi believes design should emerge from feelings, comfort, need, memory, and neural response. By centering design on purpose first, the aesthetics then gain depth, richness, and endurance. When we design to feel, not just to look beautiful, aesthetics become more meaningful and design becomes more human.
In her studio, Suchi translates these principles into projects ranging from small objects for large corporate gifting (like a stone dish and incense inspired by memory and scent) to large-scale architecture including residences, cultural institutes, and commercial showrooms. She asks: How much stimulus does a person need? Where do they feel safe? How can proportion, texture, light, and movement be calibrated to support wellbeing?
True aesthetic beauty invites emotional attachment, encourages reuse, and resists disposability. Thus, high-quality, durable, purpose-rooted design is a potent tool for promoting both human and ecological wellbeing.
DESIGN FOR A NET-POSITIVE FUTURE
Design that promotes wellbeing, as Ive so far defined it, is inherently sustainable. That said, far too many products today are marketed as sustainable, yet the evidence goes no further than the consumer messaging. Real environmentally-conscious design has sustainability woven into its DNA, beginning with the materials and means of production, and carrying through the products full lifecycle. During our October conversation about design as a catalyst for wellbeing, Suchi and I were joined by Sergio Silva, vice president of design and innovation at Humanscalean ergonomic design company and a leading voice in environmental ethics. Sergio argues that true sustainable design not only mitigates harm, but must be regenerative to truly advance wellbeing This means taking a systems-based approach and pushing for circular, climate-positive models.
Humanscale, for instance, uses lifecycle analyses to identify environmental impact. When negative impact cant be fully avoided, they deploy a handprint strategy: Measure the carbon footprint, scale it through sales, and invest in positive initiatives (like solar for nonprofits or water restoration) until the positive impact exceeds the negative. They dont buy carbon offsets or other more nebulous claims. This is a human-centered, forward-thinking approach that reflects a shift from doing less harm to doing more good. Its a vision for design where every decision, material, and process contributes to a healthier, more equitable world.
DESIGN WITH CONSCIENCE
Grace Farms Design for Freedom initiative is a groundbreaking movement uniting industry leaders to eradicate forced labor from global architecture, design, and construction. I have been lucky enough to attend the projects annual conference twice, and have been deeply inspired by the work theyre doing.
Founded by the interdisciplinary Grace Farms Foundation in New Canaan, Connecticuta center dedicated to advancing human flourishing through nature, arts, justice, community, and faithDesign for Freedom challenges the industry to not only address its enormous environmental impact, but to confront an often-overlooked ethical crisis embedded within the built environments supply chain.
Even today, achieving a truly transparent, slavery-free building requires systemic transformation. The construction industry remains one of the least regulated sectors in this regard, with an estimated 75% of U.S. construction firms owned and operated by a single individual with no payroll. Plus, the sheer complexity of sourcing, from raw minerals to composite materials to hard and technological finishes, makes it nearly impossible to ensure that every component is free from forced labor. Design for Freedom exposes these concerns, providing remarkable tools, solutions, and support to help designers, builders, engineers, and business leaders transition into a forced labor-free future.
CLOSING THOUGHT
To design for wellbeing means more than creating products or spaces that nurture users happiness and enhances beauty. It requires a holistic understanding tat wellbeing encompasses everyone and everything involved in the design and creation process from end-to-end: material suppliers, manufacturers, implicated communities, and the planet. Every design decision carries real impact, and to ignore that is to overlook the very essence of ethical design. Design can and should be a catalyst for wellbeingalways.
Lisa Gralnek is global head of sustainability and impact for iF Design, managing director of iF Design USA Inc., and creator/host of the podcast, FUTURE OF XYZ.
Noah Winter brags he’s been to way more Super Bowls than Tom Brady.Brady competed in 10 more than any other player. But Winter will be part of the Super Bowl spectacle for his 30th straight year this year, not in uniform but as the guy in charge of the celebratory confetti after the game ends.Winter’s company, Artistry in Motion, also makes confetti for rock concerts, movies, political conventions and the Olympics. But the annual blizzard of color falling onto the field at the end of each Super Bowl is probably what he’s best known for.It certainly is what he’s most likely to get asked about at dinner parties. “It’s become an iconic moment,” Winter marvels, sitting in his Northridge, California, office and confetti factory.Jane Gershovich, a photographer who worked for the Seattle Seahawks when they won the Super Bowl in 2014, said that when the confetti falls, everyone wants to play in it. The players and their families have been known to toss it in the air and make confetti angels.“Just seeing the players and their kids engage with it at such a wholesome level, it brings a lot of joy to everyone on the field,” she said.So, what goes into planning and executing a giant confetti drop? Winter fields some questions:
What happens to the losing team’s confetti?
Artistry in Motion trucks 300 pounds (135 kilograms) of two-colored confetti for each of the teams to the Super Bowl. They bring confetti cannons onto the field with about 4 minutes remaining, and line them up around the stadium walls.Even if the teams stream onto the field before the clock runs out, the confetti waits until the timer shows the game is officially over. And the winners’ colors get the go-ahead.“It’s always better to be late then early,” Winter explained. “Sometimes players go out and shake hands. We don’t launch until triple zero on the clock. Over the 30 years, we never have launched the wrong color or launched too early.”The color mix is not 50-50, because some colors dominate on video, so the company has to experiment to find the correct mix.Massachusetts company Seaman Paper has for 25 years manufactured the tissue paper that Artistry in Motion turns into confetti, said Jamie Jones, one of Seaman’s owners. A lot of New England Patriots fans who work there are particularly excited about their part in this year’s Super Bowl.The company makes about 150,000 pounds (68,000 kilograms) of tissue paper a day mostly for gift wrapping and food service.“It’s a very prestigious but not big order,” Jones said of the Super Bowl paper.
How do you get the best flutter?
Winter has found that a rectangular shape is best for confetti because it turns on its axis and hangs in the air.But TV viewers might not realize that there are actually two confetti drops at the Super Bowl one at game’s end, and the other when the Vince Lombardi Trophy is presented to the winning team. That second round of confetti is cut in the silhouette of the trophy.Messages can be printed on the tiny rectangles too. For a handful of Super Bowls, Artistry in Motion printed social media messages on each tiny flag at the request of event sponsor Twitter.Some people ask whether the confetti is cut by hand (it isn’t), and Winter jokes that his hands get tired.
Is the confetti biodegradable?
The tiny rectangular flags of tissue paper are made from U.S.-sourced, 98% postconsumer recycled material, Winter says. The paper is biodegradable.The company makes confetti in the colors of the four final NFL playoff teams. All that isn’t used is recycled.The confetti makes a beautiful mess in the stadium, but cleanup isn’t Winter’s job. Every stadium uses a different approach, depending in part on the field’s makeup. Some use rakes. Others employ leaf blowers, taking care not to degrade the artificial turf.
How do you get into the confetti business?
Winter studied lighting design in college and did pyrotechnic work at venues including the Hollywood Bowl before Disney asked his team to recreate leaves falling and twirling for a live “Pocahontas” show in the mid-1980s. Soon, he was creating confetti for Disney’s daily parade at Disneyland.In 1986, Mick Jagger saw the confetti at Disney and asked Artistry in Motion to make some for a Rolling Stones’ concert at Dodgers Stadium. Then, he brought the fledgling confetti company on tour. Other artists, including Bono from U2, asked that confetti be made for their shows as well.Stadium concerts led to sporting events. The company’s first Super Bowl was in 1997, when the Green Bay Packers defeated the Patriots (pre-Brady) at the Louisiana Superdome in New Orleans. The year before that, Winter had been a pyrotechnician at the Super Bowl, making this year’s game his 30th.In 2025, an estimated 127.7 million people watched the game on TV or streaming.Winter wouldn’t admit to having a favorite team, but he did say he has two brothers who are New York Jets fans, and he has promised to bring them to the Super Bowl to work a confetti cannon if their team ever returns. Quarterback Joe Namath led the Jets to their last Super Bowl, in 1969.
Donna Gordon Blankinship, Associated Press
When Savannah Guthrie made a heart-wrenching plea to the kidnapper of her 84-year-old mother to send “proof of life,” she addressed the possibility of people creating deepfakes.“We live in a world where voices and images are easily manipulated,” she said.Before artificial intelligence tools proliferated making it possible to realistically impersonate someone, in photos, sound and video “proof of life” could simply mean sending a grainy image of a person who’s been abducted.That’s no longer true.“With AI these days you can make videos that appear to be very real. So we can’t just take a video and trust that that’s proof of life because of advancements in AI,” Heith Janke, the FBI chief in Phoenix, said at a news conference Thursday.Hoaxes whether high or low-tech have long challenged law enforcement, especially when it comes to high-profile cases such as Nancy Guthrie’s disappearance last weekend from her home in the Tucson area.As technology has advanced, criminals have grown savvy and used it to their benefit, confusing police and the public and masking their identities. The FBI in December warned that people posing as kidnappers can provide what appears to be a real photo or video of a loved one, along with demands for money.Police have not said that they have received any deepfake images of Guthrie. At least three news organizations have reported receiving purported ransom notes that they have given to investigators, who said they are taking them seriously.Investigators said they believe she’s “still out there,” but they have not identified any suspects.Separately, a California man was charged Thursday with sending text messages to the Guthrie family seeking bitcoin after following the case on television. There’s no indication that he’s suspected of having a role in the disappearance, according to a court filing.She appeared in an emotional video on Instagram Wednesday, sitting in between her sister and brother. Her voice cracked as she spoke directly to the kidnapper, saying the family is “ready to talk” and “ready to listen” but also wanted to know that their mother is alive.Images of Nancy Guthrie, publicly shared by family, could be used to create deepfakes, said former FBI agent Katherine Schweit.She said ransom demands over history have evolved from phone calls and handwritten notes to email, texts and other digital tools. A century ago, ransom notes were analog. For example, when the toddler son of famous aviator Charles Lindbergh was kidnapped, a piece of paper demanding $50,000 was found on a windowsill.“Investigative techniques accumulate over time,” Schweit said. “There’s never less to do as years go by; there’s more to do. Digital and forensic work is a perfect example. It just adds to the other shoe-leather work we would have done in years past. Nothing can be dismissed. Everything has to be run to ground.”Schweit said directly addressing a kidnapper, like Savannah Guthrie did in her video, is a tactical move.“The goal is to have the family or law enforcement speak directly to the victim and the perpetrator, and ask the perpetrator: What do you need? How can we solve this? Let’s move this forward,” she said.Janke suggested to reporters that the FBI may have had some influence on Guthrie’s decision to release a video message.“We have an expertise when it comes to kidnappings, and when families want advice, consultation, expertise, we will provide that,” he said. “But the ultimate decisions on what they say and how they put that out rests with the family itself.”Barbara Ortutay and Ed White, Associated Press
President Trump and the Republican party have worked hard over the years to undermine the Affordable Care Act (ACA), leaving fewer people with access to health insurance.
Now, the current administration is launching TrumpRx, a site that offers discounted prices on medications bought out-of-pocket. A note claims that the days of Big-Pharma price gouging are over and that the President has ensured every American gets the lowest prices on prescription medications in the developed world.
How does TrumpRx work?
TrumpRx currently offers 43 brand name drugs, including weight-loss medication like Ozempic and Wegovy alongside things like Premarin and Cortef. It claims that more options are on the way.
Customers can download a coupondisplaying a golden eagleand bring it to participating pharmacies.
If it sounds a lot like GoodRx, there’s a reason. The long-standing discount prescription company is a key integration partner for TrumpRx, connecting pharmaceutical companies like Pfizer.
Transparent direct-to-consumer prescription pricing helps to ensure millions of Americans have access to the healthcare they deserve, Wendy Barnes, president and CEO of GoodRx, said in a statement. “GoodRx gives manufacturers a proven way to launch discounted cash pricing at scale and extend it directly into TrumpRx. Together, were turning the promise of prescription drug affordability into a reality for millions of Americans.
TrumpRx and GoodRx even have similar disclaimers on their respective websites.
Is TrumpRx really helping with healthcare affordability?
At present, TrumpRx has limited options and in some cases less affordable ones than GoodRx. One Bluesky user noted that GoodRx offers generic versions of medications, allowing for much cheaper options. TrumpRx only carries brand names.
Some health experts have openly criticized the effort. TrumpRx is a side show, Sean D. Sullivan, a health economist at the University of Washington, told The New York Times. I consider it not a real, serious effort in service to lowering prescription drug prices for Americans.
Fast Company has reached out to GoodRx to ask about whether TrumpRx will offer any unique discounts or generic medications. We will update this post if we hear back.
Friday is the opening ceremony for the 2026 Winter Olympics. But, if youve spent any time on TikTok over the past week, you might have already got a sneak peek at some behind-the-scenes content courtesy of the athletes themselves.
In 2024, the International Olympic Committee loosened its rules governing what athletes can capture and share on social media. The shift helped spark viral moments during the Paris Games, when Team USA rugby star Ilona Maher and Norways swimmer Henrik Christiansen, whose chocolate muffin reviews became an unlikely hit, took over TikTok feeds.
This year, Olympians have already been posting vlogs of their journeys to the Olympic Village from all over the world. The Team USA ice dancer Emilea Zingas shared a snippet into what makeup she packed for the Olympics, as well as a get-ready-with-me video before her first practice. Dutch speed skater Jutta Leederman, who’s dating American boxer Jake Paul, documented her journey to Milan via private jet.
@zingaskolesnik33 Makeup is packed all my extras/other tools and things I packed yesterday:) #roadtomilanocortina2026 #icedance #iceskatingtiktok @Team USA original sound – Emi and Vadym
Once inside the Village, room tours have become a major draw. Sleeping arrangements, in particular, have drawn attention in recent years, following the Tokyo and Paris Games, where athletes slept on beds made from reinforced cardboard, reportedly designed to discourage intimacy. This time around, a Team GB athlete revealed that the beds are made from sturdier materials.
@nathanpare_ The details everyone wants to know!! Follow along to see the inside scoop of this Winter Olympics. #olympics #winterolympics #roomtour #fyp #teamusa original sound – nathanpare_
If youve ever wondered what Olympians eat in the run up to the games, look no further. South African snowboarder Matt Smith has been rating the food inside the athletes canteen, tucking into Italian staples like lasagna and pizza. The Olympic village gnocchi is my chocolate muffin, American snowboarder Hahna Norman said in a TikTok video of her own.
@thesnowbok Couldnt help but start my canteen exploration in the Italian section. #crosscountryskiing #xcskiing #athlete #milanocortina2026 #nordicskiing @Milano Cortina 2026 Get Lucky – Stay Groove Band
Olympic hauls are no longer limited to medals. Videos of athletes unboxing sponsored gear are going viral, too. Team USAs kit this year comes from Ralph Lauren, along with additional swag from Skims. Team South Korea ice dancer Hannah Lim modeled a North Face puffer jacket and matching luggage, while Canadian speed skater Brooklyn McDougall shared her Lululemon haul.
@brooklyn_mcdougall Come be overstimulated with me thank you @lululemon original sound – brooklyn_mcdougall
Between competitions and training sessions, athletes are also documenting how they spend their downtime. Coca-Cola has outfitted a recreational area with foosball tables, air hockey, and gaming systems, which American ice-dancing duo Emilea Zingas and Vadym Kolesnik toured for their nearly 36,000 followers. British ice dancer Phebe Bekker filmed herself attending a sound bath meditation session before being interrupted by media obligations. Speed skater Casey Dawson even treated followers to ice ASMR during a practice at the Milan arena.
@phebebekker Sound bath class in the Olympic village?! #olympics #milanocortina2026 #olympicvillage #coronacero Carefree Days – Peaceful Reveries
In between events, many Olympians are hoping to capitalize on this brief window of hyperattention. The hashtag #winterolympics has already been used in more than 37,000 TikTok posts, while #milancortina2026 has surpassed 900 tagged videos.
As the Games get started, even more content will be coming out of the Olympic Village. After all, competing may be the top priority, but posting about it has become a close second.
